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Classiscsonline Home » Composers » I » Ivanovs, Janis
Ivanovs is considered Latvias most distinguished symphonist. His grasp of orchestral colour and musical texture was so extraordinary that his colleagues often praised him for his precise, expressive, and nationalistic musical idiom. Had be only written his Fourth (Atlantida), Fifth or Sixth (Latgales) Symphonies, he would have left an indelible mark on music history. However, he composed 21 symphonies, three concertos for various instruments, cello, violin, and piano, five symphonic poems, three string quartets, and numerous vocal, piano and chamber works.
The bulk of Ivanovs compositions is orchestral. Stylistically his early works show influences of Scriabin and his later works that of Prokofiev and Shostakovich. These, however, are just passing influences. The hand of the mature master is evident all his works, early or late. The language is distinctly Ivanovs, nationalistic, dynamic, powerful, dramatic. "Janis Ivanovs is like thunder and lightening, cleansing the air with his Lucifer sounds. His symphonies are like ancient Greek tragedies, filled with ecstasy and purification." So wrote another Latvian composer and music critic, Margers Zarins. Although every composition of Ivanovs delivers something fresh and unusual, we also hear the familiar. His music provides us with an unusual sense of intimacy. Here is a composer who is speaking to us, perhaps battling something, defending us from obstacles and taking us on a safe and welcome path. His love of melody is evident in all his works. In fact, the melodic content is the essence of each of his compositions. Ivanovs drew upon the native songs of the Latgale district (eastern Latvia) for his inspiration. Latgales folk-music combines both Slavic sadness and restrained beauty. this is definitely a trademark of Ivanovs music. Pathos, colour, intensity, tightness of structure and expansiveness of musical ideas are also concern-stones of his style.