The French composer Francis Poulenc only undertook formal musical training, with Charles Koechlin, in 1921, by which time he had already become identified with Les Six, the six French composers of the circle of Jean Cocteau that included Honegger, Auric and Milhaud. His music was initially light-weight in style, but the death of a close friend in 1935 brought a new depth to his work at the same time as the start of a long collaboration with the singer Pierre Bernac.
Choral and Vocal Music
Poulenc made a significant and idiomatic contribution to the art of French solo song in addition to a number of choral works. His solo songs range from settings of Apollinaire and Cocteau to settings of Ronsard. His melodrama L’Histoire de Babar, for reciter and piano, tells the story of Babar the Elephant, the creation of Jean de Brunhoff in a simple tale for children. His church music, after his inner conversion to the Catholic religion of his childhood in 1935, is marked by a Mass setting of 1937, and, more notably, the moving Stabat mater of 1950. In 1959 came the Gloria for solo soprano, chorus and orchestra, with a final more sombre Sept Répons des ténèbres in 1961.
Chamber Music
French composers of the 20th century have shown a particular deftness in the handling of woodwind instruments. This ability is exemplified in Poulenc’s sonatas for flute and piano, clarinet and piano, and oboe and piano, in addition to an attractive Trio for oboe, bassoon and piano.
Piano Music
The best known of all Poulenc’s music was at one time the three Mouvements perpétuels of 1918. There is a Sonata for piano duet of the same year and a number of attractive short pieces, including a neoclassical Suite after Claude Gervaise and the elegant Promenades.
| Box Set Release |
Catalogue Number |
| CHILDREN’S CLASSICS - CD Story Box |
Naxos 8.507007 |
| POULENC The Complete Chamber Works |
Naxos 8.505222 |