Opera in Western Europe arose at the close of the 16th century in Italy. The form underwent various changes and reforms and the name of Gluck is associated with a tendency to greater operatic realism, the drama subsumed in the music, his principles expounded in his introduction to his opera Alceste in 1767. Reform opera, exemplified in the later work of Gluck, represented a reaction against the stylised forms of later Baroque opera. Gluck achieved considerable success in Vienna, Paris, and elsewhere in Europe.
Operas
Gluck wrote over forty operas. Of these Orfeo ed Euridice, staged in Vienna in 1762 in its original Italian version and in Paris in 1774 in a French version, is the best known, a treatment of the story of the legendary musician Orpheus and his journey to the Underworld to bring back again his beloved Euridice, an ancient illustration of the power of music. Alceste again turned to Greek legend as did the two tragedies Iphigénie en Aulide and Iphigénie en Tauride, first staged in Paris in 1774 and in 1779 respectively. By far the best known of all excerpts from operas by Gluck is the Dance of the Blessed Spirits from Orfeo, closely rivalled by the aria Che faró senza Euridice from the same opera. The soprano aria Divinité du Styx, from Alceste, is popular in recital.
Ballet Music
Gluck was associated with the choreographer and dancer Angiolini. Their first collaboration was on the subject of Don Juan, later used by Mozart in his Don Giovanni, based on the Spanish play by Tirso de Molina.
