Nicolas Flagello was one of the last American composers to pursue traditional romantic musical values, intensified by modernist innovations in
harmony and rhythm, but without the irony or detachment of postmodernism. For him music was a personal medium for spiritual and emotional
expression, a view that was far from fashionable during the years after 1945, when Flagellos creative personality was crystallizing, a time when
originality and experimental techniques reigned supreme. In such a milieu Flagellos music gained little attention. Yet he held fast to his ideals
throughout his life, producing a large and varied body of work that included six operas, two symphonies, eight concertos, and numerous orchestral, choral,
chamber, and vocal works, although much of it was still unperformed at the time of his death, only in recent decades to find an increasingly sympathetic
audience.
Flagello was born in New York City in 1928 into a musical family. He studied both piano and violin as a child, and began composing on his own before the
age of ten. He was soon brought to the attention of Vittorio Giannini, a highly esteemed composer and teacher known for his adherence to traditional
musical values. Giannini became Flagellos mentor, and the two developed a close professional and personal friendship that lasted until the older mans
death in 1966. In 1945 Flagello entered the Manhattan School of Music, where Giannini served on the faculty. Earning both his Bachelors (1949)
and Masters (1950) Degrees there, he joined the faculty himself upon graduating, and remained there for more than 25 years, teaching for a time during the
1960s also at the Curtis Institute in Philadelphia. Winning a Fulbright Fellowship in 1955, he took leave to study for a year at the Accademia di Santa
Cecilia in Rome, working under the elderly Ildebrando Pizzetti, and earning the Diploma di Studi Superiori.
The first recordings of Flagellos music in 1964 were well received by some critics. In 1974, his oratorio The Passion of Martin Luther King was first
performed with great acclaim by the National Symphony Orchestra at the Kennedy Center in Washington, D.C., subsequently to be recorded, and
performed throughout the United States and Canada. In 1982, his opera The Judgment of St Francis was produced in Assisi. Flagello was also active as a
pianist and conductor, and made dozens of recordings of a wide range of repertoire, from the Baroque to the contemporary. In 1985 a degenerative illness brought
his musical career to an end prematurely. He died in 1994, at the age of 66. During the years since his death, performances and recordings of Flagellos music have attracted the
attention of a new generation of listeners. Well known performers, such as the violinist Midori, have been championing his work, and recent recordings have
received critical acclaim.
