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MARTINU, B.: Piano Concertos, Vol. 2 - Nos. 1, 2, 4 (Koukl, Bohuslav Martinu Philharmonic, Fagen)	MARTINU, B.: Piano Concertos, Vol. 2 - Nos. 1, 2, 4 (Koukl, Bohuslav Martinu Philharmonic, Fagen) 8.572373
	The music of Bohuslav Martinů, whose complete solo piano works have also been recorded by Giorgio Koukl for Naxos, can ring like bells, shimmer like a mirage or pulse with sheer rhythmic vitality as is the case with these three piano concertos, where high drama, brilliant tunes, captivating colouristic effects and tongue-in-cheek frivolity all find their place. Volume 1 – Piano Concertos Nos. 3 & 5 (8.572206) has been acclaimed for its ‘Buoyant and exuberant performances’ (Gramophone Editor’s Choice) and as ‘an auspicious debut [and] extremely well played’ (International Record Review).

HALVORSEN, J.: Orchestral Works, Vol. 2 (Bergen Philharmonic, N. Jarvi)	HALVORSEN, J.: Orchestral Works, Vol. 2 (Bergen Philharmonic, N. Jarvi) CHAN10614
	User's Review: Late Romantic Brilliance! Johan Halvorsen was a Norwegian composer who lived from 1864-1935. His music is late Romantic in style, well-orchestrated, and with melodies that are wonderfully listenable. It goes without saying that Halvorsen will be compared with Grieg. I have to say that in the company of Grieg, Halvorsen holds his own... Read more

SAHL, M. / SALZMAN, E.: Civilization and its Discontents [Opera] (Sahl, Salzman)	SAHL, M. / SALZMAN, E.: Civilization and its Discontents [Opera] (Sahl, Salzman) LAB7089
	Topical > Timeless At least four years before the word Yuppie was coined, when laptops and cell phones were still sci-fi fantasies, New Yorkers were still getting used to the Twin Towers dominating their skyline, and the ink was barely dry on news of the Vietnam War and Watergate scandals, this little opera summed up the zeitgeist of America at the tail end of the 20th Century. It's all here in miniature... Read more

BACH, J.S.: Cantatas, Vol. 50 (Suzuki) - BWV 49, 145, 149, 174	BACH, J.S.: Cantatas, Vol. 50 (Suzuki) - BWV 49, 145, 149, 174 BIS-SACD-1941
	Published Review (By Jonathan Freeman-Attwood, Gramophone): These cantatas abound in that most exquisite of Bachian set-pieces, the duet. Both divulge how Bach imbues a text with irresistible presence... It is simply one of Bach’s finest hidden treasures. If Christophe Coin’s recording remains special in its organ-loft intimacy, rugged fervour and brilliance spring off the page here. Another memorable release.

DEBUSSY: Marche ecossaise / Images (arr. for orchestra) / RAVEL: Le tombeau de Couperin	DEBUSSY: Marche ecossaise / Images (arr. for orchestra) / RAVEL: Le tombeau de Couperin HCD32106
	User's Review: Kocsis completes Ravel's masterpiece I purchased this recording primarily because of the presence of Maurice Ravel's Le Tombeau de Couperin, one of my all-time favourite pieces of music. Ravel's music is often paired with Debussy's, as it is on this recording. Although their uses of tonality are similar, Ravel nevertheless follows classical forms and pays homage to a much older western musical tradition... Read more

Vihuela and Vocal Music (16th Century) - PISADOR, D. / MUDARRA, A. / WILLAERT, A. / FUENLLANA, M. de (Si me llaman) (El Cortesano)	Vihuela and Vocal Music (16th Century) - PISADOR, D. / MUDARRA, A. / WILLAERT, A. / FUENLLANA, M. de (Si me llaman) (El Cortesano) CD-16276
	Published Review (By Kenneth Keaton, American Record Guide): Hernandez-Pastor has a truly beautiful instrument; some of these songs are exquisite. Abramovich’s playing is well matched to the hushed quality of this performance and he has a solid rhythm and clear control over the polyphonic voices. For the sheer beauty of the singing and the expressiveness of many of the individual songs, I can recommend this performance.

SCHUBERT, F.: Schone Mullerin (Die) / Auf dem Strom (Behle, Bjelland)	SCHUBERT, F.: Schone Mullerin (Die) / Auf dem Strom (Behle, Bjelland) C5044
	Published Review (By Robert A. Moore, American Record Guide): Behle again sings with stylish assurance and a depth of understanding. Behle sings in a fresh and earnest manner with great rhythmic precision and clear articulation of moving passages. Horn player Koster and pianist Bjelland both supply strong and effective collaboration. Vibrant recorded sound, first-rate accompaniment, and splendid singing make this a triumphant release.