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GASSMANN, F.L.: Opera Overtures (Eclipse Chamber Orchestra, Alimena)

Composer(s):Gassmann, Florian Leopold
Artist(s) Alimena, Sylvia, Conductor • Eclipse Chamber Orchestra, Ensemble
Period(s) Classical (1750-1830)
Genre Classical Music
Category Orchestral
Catalogue 8.570421
Label Naxos
Quality   320kbps
Album Price
 
CD
USD 9.99
 

 
MP3
USD 6.99
 

 


If the career of the Bohemian composer Florian Leopold Gassmann (1729–1774) had not been cut cruelly short by his death resulting from a fall from a carriage, his name might be a good deal better known today for he was an accomplished composer of attractive, well-wrought operas that occupy an important place in the history of Venetian and Viennese 18th-century opera. This recording features a selection of Gassmann’s overtures, including those for three of his most popular operas, Il viaggiatore ridicolo (The Ridiculous Traveller), L’amore artigiano (Love in the Workplace) and La contessina (The Young Countess). Following the fast-slow-fast pattern typical of the mid-eighteenth century opera, these works are noteworthy

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Review By Bertil van Boer,Fanfare,May 2010

…the players are in tune and her tempos, not absurdly fast in the flanking movements and nicely moderate in the slow ones, fit Gassmann’s ambience perfectly…

…I recommend you buy it, put it on, and enjoy the party.



Review By Uncle Dave Lewis,Allmusic.com,January 2010

…Naxos’ Florian Leopold Gassmann: Opera Overtures does serve to lift the veil on this neglected figure of the eighteenth century and the disc has more than its share of attractive and entertaining music.



Review By Glyn Pursglove,MusicWeb International,December 2009



Review By Margarida Mota-Bull,MusicWeb International,November 2009

The Eclipse Chamber Orchestra, led by its music director, Sylvia Alimena, applies brightness and joy, demonstrating very effectively the composer’s ability to write well-crafted, rather pretty music in a style that was attractive in his lifetime. Alimena who together with another twenty-two of her colleagues at the National Symphony Orchestra in Washington formed the Eclipse Chamber Orchestra, has had a distinguished career both as a conductor and as a French horn player. Her interpretation of these overtures does full justice to the composer, expressively extracting the typical cheerfulness of this music in charming, attractive and extremely pleasant performances.

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Review By Infodad.com,Infodad.com,October 2009

10 overtures by Florian Leopold Gassmann (1729–1774), played with tremendous style and élan by the Eclipse Chamber Orchestra under Sylvia Alimena. This is a small orchestra whose members are drawn from the National Symphony Orchestra (Washington, D.C.), and the group plays as if everyone is a virtuoso and everyone is having tremendous fun. The ensemble work is so good that the works here have the give-and-take of fine chamber music, as if a quartet has outgrown the confines of its size and emerged larger but equally well integrated…Each of these 10 overtures is in the same old-fashioned fast-slow-fast form. All feature bright and lively outer sections sandwiching some lovely lyricism in the middle…Alimena and the Eclipse Chamber Orchestra are

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Review By David Hurwitz,ClassicsToday.com,September 2009

Florian Leopold Gassmann (1729–74) was a noted composer of Italian opera (principally) in Vienna, who enjoyed strong connections to the Royal court. He also was something of a schemer, as Dittersdorf relates in his autobiography, jealously guarding his position in the Austrian capital and using his control of the Royal theater to his best advantage. His music is about what you might expect from a Rococo composer: fluent, cheerful, and warmly melodic. All of these overtures contain three movements, fast-slow-fast, lasting no longer than eight minutes. They are thus miniature symphonies, and while the titles of the operas sound intriguing (The Critical Night; The Ridiculous Traveler; One Madman Makes Many; Love in the Workplace, etc), they are all cut from the

This doesn’t make them any less pleasant, and some of these pieces enjoyed considerable popularity in their day. Indeed, Love in the Workplace was produced by Haydn at Eszterháza. The performances, by members of the National Symphony (Washington, DC), are highly accomplished, full of charm, and rhythmically perky. The conductor, Sylvia Alimena, plays second horn with the orchestra, and ensures that the wind parts don’t get buried by the strings…this disc constitutes an appealing program and a real slice of Viennese musical history that will be unfamiliar to most listeners. I recommend it accordingly.

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Review By John W Barker,American Record Guide,March 2009

Marginal Handel and great Handel.

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