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ClassicsOnline Home » FAURE, G.: Piano Quintets (Ortiz, Fine Arts Quartet) > Review List
Gabriel Fauré’s chamber works, long overshadowed by his popular Requiem (Naxos 8.550765), are regaining their rightful place, as the success of his Violin Sonatas (8.550906) and Cello Sonatas (8.557889) attests. Dubbed the ‘Master of Charm’ by Debussy, Fauré responded to the quasi-orchestral opportunities offered by the piano quintet with two gorgeous works whose frequent economy of means belies the wealth of his inventiveness, the subtlety of his burgeoning counterpoint and the sheer beauty of his melodic and harmonic inspiration. Debussy’s back-handed remark short-changes the value of a true master composer.
Gramophone award-winner and recording of legendary status
Simply the best: An unrivalled version, a cornerstone of the catalogue. A real gem! © 2012 Gramophone Classical Music Guide
One of Gramophone Classical Music Guide’s top 100 recordings
Ideally balanced and recorded, Cristina Ortiz and the Fine Arts Quartet offer performances that are warmly affectionate, fluent and musicianly to the core. Surpassing Domus’s fine Hyperion disc, these are outstanding readings and Ortiz is memorably sensitive to Faure’s subtle and intricate piano-writing. © 2011 Gramophone Classical Music Guide
Red-blooded, passionate performances show these neglected works for the masterpieces they truly are.
Cristina Ortiz and the Fine Arts Quartet nail Fauré’s particular combination of classic form and Romantic passion with perfection. They’re more expansive in the outer movements of the First Quintet, allowing for more detail and subtlety while their Adagio is tighter, more focused than their rival’s version. Ortiz’s crisply articulated piano under the busy strings in the second movement is a particular joy here, as is the way the ensemble fully captures the grave beauty of the Andante third movement by taking a flowing, more liquid approach to tempo, rhythm and melody that reflects their awareness of the style we hear in old recordings of French chamber groups of the 1920s and ’30s…Naxos’ Brazilian pianist and American string quartet are more idiomatically Gallic. The result is a disc to treasure.
Named one of The Best Classical Recordings of 2009…One of top 3 in the chamber category. © 2010 ArkivMusic
MusicWeb International critic’s choice: Recording Of The Year 2009
I cannot imagine better performances. Cristina Ortiz is one of the most musical pianists around, and her ability to integrate her sound so fully into the very fabric of these works makes for a very special recording. The Fine Arts Quartet plays with all the subtlety and refinement one could ask for—beautiful, balanced, and blended strings are exactly what is called for in these works. The recorded sound and perceptive notes complete a package, that, like much of what I see and hear from Naxos these days, would be a strong competitor at full price. At under $9 it simply can’t be beat.
This new [disc] with the Fine Arts Quartet and pianist Cristina Ortiz is definitely a keeper…The Fine Arts Quartet and Ortiz manage to scent this music with a bouquet I can only describe as quintessentially French. In their hands, Fauré’s music vibrates with a sentient tenderness almost too sad and too personal to be expressed. Beyond recommended, this is a mandatory purchase. Full review
The quintets are played with great devotion, showing fine balance and rich in delicate nuance. The ensemble is perfect, which is as expected from such an experienced group as the Fine Arts…The recording quality is first class, both clean and atmospheric. Another fine disc from Naxos. Full review
Their account of both [quintets] is outgoing and often highly charged...and Ortiz brings a wealth of delicate playing.