This is interesting repertoire. Beethoven’s Piano Trios are far better known than his Piano Quartets, the latter of which do not even own opus numbers. Beethoven was a mere fifteen when he wrote them. They are clearly the work of a precocious talent. This Naxos issue has presented the works in what it believes to be the original order. Artaria published them in the numbered order, posthumously.

Written when the composer was only fifteen, Beethoven’s three Piano Quartets, WoO 36 nevertheless bear many of the characteristics of the mature composer in their strong harmonies and persuasively argued forms. There are moments that directly prefigure his early piano sonatas, such as the graceful transitions in the opening movement of the C major Quartet, and the dramatic tone of the central Allegro con spirito from the E flat major Quartet. But essentially, these are tuneful, well-made works of an extremely talented young composer who admired, and to a degree, emulated the works of Mozart and Haydn. Recordings of the quartets have been rare, so this disc by the New Zealand Piano Quartet will be welcomed by listeners looking for more from Beethoven than merely his canonical works with opus numbers. (WoO is an acronym for “Werk ohne Opuszahl”—Work without opus number.) With a bright tone, an easy ensemble, and a well-balanced blend, the New Zealand musicians make the most of the music, finding beauty in its youthful impetuosity, and hints of the genius to come in its occasional audacities. Though not in the same class as the venerable 1969 recording with Christoph Eschenbach and the Amadeus Quartet, this disc will be welcomed by devoted Beethoven fans looking for a supplemental set of performances.

Naxos’ sound is a bit dry, but otherwise quite realistic.

It has been a very long time since these wonderful works had been recorded in their entirety, so this new release by the New Zealand Piano Quartet—and what a great and spirited one!—is warmly welcome. Penned by the 15 year old Beethoven, they are clearly works of genius, even if (understandably) heavily influenced by Haydn and Mozart. The New Zealanders play stylishly, vigourously and with great tone and benefit from outstanding recorded sound. Most warmly and highly recommended!