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Mendelssohn’s musical precocity, both as a player and as a performer, manifested itself at a remarkably early age. In 1826, when he was only 17, Mendelssohn wrote not only his Overture to A Midsummer Night’s Dream but the first of his two string quintets. The String Quintet No. 2 followed 19 years later, in 1845, two years before his death. Despite the intervening years, the two Quintets are similar in style and form, with richly melodic and haunting slow movements and two wonderfully contrasting scherzos. It is interesting to compare the two String Quintets with the impressive Octet of 1825 (recorded on Naxos 8.557270).
The Fine Arts Quartet…strike(s) a splendid balance between vitality and elegance, the Intermezzo of the A Major Quintet is engagingly played, the Scherzo is crisp and brilliant, the Adagio of the B Flat Quintet is most warmly and stylishly played, and both Finales sparkle. The recording is excellent.
Naxos has another winner on its hands with the Fine Arts Quartet and Danilo Rossi (viola) and this has the fascinating bonus of the original third movement of the Op.18 Quintet.
Mendelssohnian magic! I first listened to samples of these quintets on the amazon site, inspired by other reviewers, and was struck by the infectious music-making of the Fine Arts Quartet. Having now listened to the complete works, I can only agree with my fellow reviewers that this is music to bring a smile to your face, and a lift to your heart. The quality of the playing gives such a zestful ‘bounce’ to the movements that this has the quality of a live performance without the attendant niggles. Highly recommended.
HIGH FIVES. 2009 is the bicentenary year of Mendelssohn’s birth, and I can’t imagine a better monument than his string quintets in this superb recording…Mendelssohn’s idiom is a delicate flower, calling for a patrician poise from the players to match the patrician elegance of the music. One real benchmark for measuring the performances is how the scherzos are handled. Mendelssohn’s scherzos are something unique in the history of music…To my ears, the Fine Arts Quartet have the idea of it to absolute perfection. This is artistic interpretation, itself a form of artistic creation…Schumann, with characteristic generosity, described Mendelssohn as the Mozart of the 19th century. Mendelssohn at his best has something of the same sense about him that he is one of the beloved of God as Amadeus himself has. This is the sense that makes me as enthusiastic as I am about this disc, and I recommend it entirely without reservation.
Leidenschaftlich, beinahe stürmisch geht das Ensemble [Fine Arts Quartett] an die Musik heran, eine frische Interpretation.
What a joy to hear the Fine Arts Quartet back in stride! Certainly they rank as one of the best of the last hundred years, and almost always underrated. But there is no period instrument puffiness or strident adherence to dogma here; no sir, these are passionate, impassioned, and fervently lustful readings that cry damnation to all that get in their way. Actually, I don’t recall the Fine Arts ever sounding this violently tempestuous in any reading I can immediately bring to mind. Who cares—this one sings and soars with a free spirit and a dare-you-not-to-like-it attitude that is great fun to hear…This Naxos [release], recorded last year in Germany has as much pride and spirit as I can imagine, and certainly fares well considering the price. If you have not made the acquaintance of these works before, there is no excuse for not indulging now, and while they are not Mozart, they are interesting and rewarding, played immaculately and in fine sound. Full review
THE BEST OF 2008 (headline)…This is a list of albums that have got good reviews from various sources: the print magazines Gramophone, BBC Music Magazine, American Record Guide, and Fanfare and the web sites Classics Today, MusicWeb, Klassik Heute, and Classics Today France.
The performances by the Fine Arts Quartet and violist Rossi are very fine.
Stormende spilleglade førstesats, som de fem musikere angriber på det mest henrivende…Ingen af de to strygekvintetter tilhører det foretrukne kammermusikalske repertoire, men charmerende er Mendelssohn altid; også Fine Arts Quartet og gæsten Danilo Rossi engagerer sig helhjertet, pilfingret og medrivende i. Full review