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ClassicsOnline Home » ROCHBERG: Symphony No. 1 > Review List
Although the first, fourth and fifth movements were performed in cut form in March 1958, Rochberg’s Symphony No. 1, the first large-scale work of his career, is here heard complete for the first time. Unlike the anguished Second (Naxos 8.559182), written in the mid-fifties as a delayed response to the awfulness Rochberg saw at first hand in the war years, the First is a young composer’s exultant exploration of his maturing technique and powers of invention. Rochberg’s teacher, Leopold Mannes, called the Capriccio movement, heard orchestrally for the first time ever in the present performance, “the craziest music I have ever seen!” More than fifty years on, this powerfully individual work has stood the test of time, and of neglect. It is a First Symphony of a young composer who was a natural composer for the orchestra, and a born symphonist.
This is among the more important releases in Naxos’s “American Classics” series…this is an amazingly assured, mature, personal, and daring work—unmistakably American, and unmistakably the work of George Rochberg, although the next several decades would take him in many unexpected directions…Despite the pervasive mood of struggle in this symphony, it is clear that the fight that’s being fought is a good one, and the victory that is achieved after 64 minutes is hard-earned and worthwhile. Open-minded listeners are in for quite a ride with this work.
Lyndon-Gee conducts this music passionately, never letting the tension slip, and making the most of the atmosphere in “Night Music,” and the hairpin turns in “Capriccio.” The Saarbrücken Radio Symphony Orchestra, also no stranger to Rochberg’s music, gives this symphony not only its requisite grandeur and energy, but also a sense of control. In no way does this recording sound like a run-through: both the conductor and the musicians are deeply involved. The engineering, courtesy of the Saarländischer Rundfunk, is big and bold, like the symphony itself.