WOMEN AT THE PIANO - AN ANTHOLOGY OF HISTORIC PERFORMANCES, Vol. 3 (1928-1954)
| Composer(s): | Bach, Johann Sebastian • Bartok, Bela • Beethoven, Ludwig van • Chopin, Fryderyk • Fuga, Sandro • Godowsky, Leopold • Granados, Enrique • Haydn, Franz Joseph • Infante, Manuel • Khachaturian, Aram Il'yich • Malipiero, Gian Francesco • Mendelssohn, Felix • Messiaen, Olivier • Pick-Mangiagalli, Riccardo • Poulenc, Francis • Rachmaninov, Sergei • Ravel, Maurice • Schubert, Franz • Scriabin, Alexander • Soler, Antonio |
| Artist(s) | Iturbi, Amparo, piano • Taddei, Annarosa, piano • Arco, Annie d', piano • Haskil, Clara, piano • Ney, Elly, piano • Leginska, Ethel, piano • Blumental, Felicja, piano • Valenzi, Frieda, piano • Kuhn, Gisele, piano • Czerny-Stefanska, Halina, piano • Schnabel, Helen, piano • Krehm, Ida, piano • Yalkovsky, Isabelle, piano • Rev, Livia, piano • Ajemian, Maro, piano • Reisenberg, Nadia, piano • Sellick, Phyllis, piano • Tureck, Rosalyn, piano • Franceschi, Vera, piano • Loriod, Yvonne, piano |
| Period(s) | 20th Century • Baroque (1600-1750) • Classical (1750-1830) • Romantic |
| Genre | Classical Music |
| Category | Instrumental |
| Catalogue | 8.111217 |
| Label | Naxos Historical |
| Quality | 320kbps |
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| | This album is not available in your country due to licensing restrictions or copyright laws that provide or may provide for terms of protection for sound recordings that differ from the rest of the world. |
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Music history and reference volumes were written almost exclusively ‘by men, for men, about men’ pianists. Naxos redresses this imbalance by presenting a comprehensive multi-compact disc anthology of historic performances by pioneering women pianists of the first half of the twentieth century, continuing with this third volume (Volumes 1 and 2 are available on 8.111120 and 8.111121). Each pianist is represented by one exemplary selection, with detailed information on both the artist and the recording. Great care is being lavished on making this endeavour a seamless listening experience, by matching the acoustical quality of the various pianos used in so many different venues.
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