ClassicsOnline Home » TINOCO, L.: Round Time / From the depth of distance / Search Songs / Cancoes do Sonhador Solitario (Gulbenkian Orchestra, D.A. Miller) > Review List



TINOCO, L.: Round Time / From the depth of distance / Search Songs / Cancoes do Sonhador Solitario (Gulbenkian Orchestra, D.A. Miller)

Composer(s):Tinoco, Luis
Artist(s)
Period(s) Contemporary
Genre Classical Music
Category Orchestral
Catalogue 8.572981
Label Naxos
Quality   320kbps
Album Price
 
FLAC
USD 7.99
 

 
MP3
USD 6.99
 

 


Portuguese composer Luís Tinoco’s works are “as engrossing as they are entertaining” (Musical Opinion), and these première recordings represent some of the most exciting new orchestral work to appear in recent years. Conductor David Alan Miller writes, “Drawing inspiration from sources as diverse as French Impressionism and Brazilian Jazz, Tinoco creates a sound world that is uniquely, distinctly Portuguese, equal parts sunshine, saudade and sensuality. I know it’s good when it makes my knees weak.”


   




Review By Percorsi Musicali,July 2013

Luìs Tinoco (1969) è un compositore portoghese di cui si conoscevano discograficamente alcuni lavori da camera, sparsi tra raccolte compilative sui compositori portoghesi tra cui dei quintetti ai fiati (soprattutto “Light - distance,O curso das aguas” e “Short cuts” per 4 sassofoni), un quartetto d’archi in stile contemporaneo (“Quarteto” performato dagli Arditti String quartet) e una composizione per marimba, “Mind the gap”. In un àmbito totalmente diverso e particolarmente maturo, Tinoco adesso pubblica per la Naxos una serie di quattro composizioni orchestrali (Orquestra Gulbenkian di Lisbona) in cui si apprezza lo stile compositivo che spazia nei meandri dei more....

Review By Jorge Calado,Expresso,May 2013

Music box—the water and the curling are the strong themes of Luís Tinoco’s recording

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Review By Jorge Calado,Expresso,May 2013

(…) A peça que dá o nome ao disco, “Round Time” (2002), é a única puramente orquestral e também a mais antiga. Com uma orquestra reforçada por uma generosa secção percutiva, Tinoco cria atmosferas variadas, espectrais mas também gravíticas, que mantêm o ouvinte num estado de suspensão animada. “Round Time” começa bem, com uns pingos sonoros, depressa interrompidos por assomos de imponência e lampejos impressionistas. A unidade da obra é conseguida através de uma insistente pulsação interior—alentada aqui e ali por impulsos de energia—, e o desfecho surge com um inesperado fogacho jazzístico.

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