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GHEDINI, G.F.: Violin and Piano Music (Complete) (Bernecoli, Bianchi)

Composer(s):Ghedini, Giorgio Federico
Artist(s) Bianchi, Massimo Giuseppe, piano • Bernecoli, Emy, violin
Period(s) 20th Century
Genre Classical Music
Category Chamber Music
Catalogue 8.572828
Label Naxos
Quality   320kbps
Album Price
 
CD
USD 9.99
 

 
MP3
USD 6.99
 

 


Although Giorgio Federico Ghedini’s proud independence and lack of adherence to any particular school brought him into confl ict with the avant-garde, he is now increasingly recognised as one of the fi nest Italian composers of the 20th century. Marking the 50th anniversary of Ghedini’s death, this recording reveals an aspect of his repertoire yet to be fully appreciated and is a signifi cant addition to the repertoire. Contemporary with those of Respighi, Pizzetti and Alfano, the Violin Sonatas display a real sense of creative freedom and are notable for their structural originality, beautiful harmonies and tonal and rhythmic invention. Ghedini’s complete piano works can be heard on Naxos and 8.572330.

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Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



Review By Julian Haylock,The Strad,October 2013

…Emy Bernecoli boasts an unusual musical rapport with her long-established musical partner Massimo Giuseppe Bianchi (also a gifted composer). This is music that is by its very nature interpretatively elusive, yet this fine duo succeeds in exploring Ghedini’s introspective sound worlds with remarkable unanimity of spirit, most notably at the lower end of the dynamic spectrum. Bernecoli sounds as though she’s been playing these wonderful pieces all her life, without the slightest hint of their being (mostly) world premiere recordings. © 2013 The Strad Read complete review



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