ClassicsOnline Home » PAER, F.: Santo Sepolcro (Il) (The Holy Sepulchre) [Oratorio] (Simon Mayr Choir and Ensemble, Hauk) > Review List



PAER, F.: Santo Sepolcro (Il) (The Holy Sepulchre) [Oratorio] (Simon Mayr Choir and Ensemble, Hauk)

Composer(s):Mayr, Johann SimonPaer, Ferdinando
Artist(s)
Period(s) Classical (1750-1830)
Genre Classical Music
Category Choral - Sacred
Catalogue 8.572492
Label Naxos
Quality   320kbps
 
 
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8.572492
 


Together with Johann Simon Mayr, Ferdinando Paër counts as one of the most important opera composers of his day, and he was unable to resist filling his oratorio on Christ’s Passion, Il Santo Sepolcro with expressive extremes. Pain and grief contrast with joy and hope, and scenes including the terrible hours of the crucifixion, frenzy of the crowd, resurrection and Last Judgment are given potently descriptive music. Originally a prelude to Haydn’s Seven Last Words, Mayr’s Invito is a call to hear Paër’s incomparable narrative.


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Review By Marc Vignal,Musikzen,April 2013

Ferdinando Paer (1771-1839) est avec Johann Simon Mayr le principal représentant de la génération de compositeurs d’opéras italiens entre Cimarosa et Paisiello d’une part, Rossini de l’autre. Après des débuts à Parme, il séjourne à Vienne (1798-1802) puis est maître de chapelle à Dresde. Napoléon l’y remarque et le fait venir en 1807 à Paris, où il enseignera la musique à l’impératrice Marie-Louise et terminera sa carrière, occupant plusieurs postes dont en 1832 celui de directeur de la chapelle privée de Louis-Philippe. Sa Leonora, ossia L’amore conjugale (Dresde 1804) est un des opéras à

more....


Review By Marc Vignal,Musikzen,April 2013

Ferdinando Paer (1771-1839) est avec Johann Simon Mayr le principal représentant de la génération de compositeurs d’opéras italiens entre Cimarosa et Paisiello d’une part, Rossini de l’autre. Après des débuts à Parme, il séjourne à Vienne (1798-1802) puis est maître de chapelle à Dresde. Napoléon l’y remarque et le fait venir en 1807 à Paris, où il enseignera la musique à l’impératrice Marie-Louise et terminera sa carrière, occupant plusieurs postes dont en 1832 celui de directeur de la chapelle privée de Louis-Philippe. Sa Leonora, ossia L’amore conjugale (Dresde 1804) est un des opéras à

more....






 

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