ClassicsOnline Home » Organ Recital: Marshall, Kimberly - SCHLICK, A. / KOTTER, H. / HOFHAIMER, P. / PAUMANN, C. / ISAAC, H. (The First Printed Organ Music) > Review List



Organ Recital: Marshall, Kimberly - SCHLICK, A. / KOTTER, H. / HOFHAIMER, P. / PAUMANN, C. / ISAAC, H. (The First Printed Organ Music)

Composer(s):
Artist(s) Hart, Syke, cantor • Marshall, Kimberly, organ
Period(s) Renaissance (1400-1600)
Genre Classical Music
Category Instrumental • Vocal
Catalogue LRCD-1124
Label Loft
Quality   320kbps
Album Price
 
MP3
USD 9.99
 

 

   



QuinCentenary Celebration of Printed Organ Music
Review By EE115671,November 2012

Organist Kimberly Marshall brings to life a celebration of five hundred years of printed organ music in this CD recorded a few months ago. The first organ instruction and theory recorded in printed form Tabulatur etlicher Lobgesang und lidlein was printed by Arnolt Schlick in 1512, 72 years after the Gutenberg printing press. That the skill of publishing the printed word took less than a century to spread throughout medieval Europe warrants celebration and admiration for those who labored for this work.

This celebration utilizes the spectacular Paul Fritts Organ at Arizona State University at Tempe. The works are performed by Professor Marshall, an international scholar who maintains an active schedule and promulgates numerous aspects of organ history, construction, and more....
Marvelously performed Organ Music from Dr. Marshall
Review By WH99400,November 2012

The music on this disc consists of various organ works from 1450 to 1538, performed by the always virtuosic Kimberly Marshall on the Fritz Organ at Arizona State University. While most of the pieces don't have the complexities of Bach or Buxtehude, the music is pleasant and warm, and the mixture of short solo vocal chant tracks at various points is very satisfying. The music of Arnolt Schlick is featured prominently.

Particularly noteworthy for Dr. Marshall's fine pedal work is track 14 Zucht, Her und Lob, and several of the pieces (particularly track 15, Schlick's Benedictus, and track 17, Schlick’s Primi Toni) demonstrates the incredible range possible on the organ as well as the wonderful sound of the Fritz. The Primi Toni is just an more....






 

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