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GILELS, Emil: Early Recordings, Vol. 3 (1935-1955)

Composer(s):Chopin, FryderykLiszt, FranzScarlatti, Domenico
Artist(s) Gilels, Emil, piano
Period(s) Baroque (1600-1750)Romantic
Genre Classical Music
Category Instrumental
Catalogue 8.111386
Label Naxos Historical
Quality   320kbps
 This album is not available in your country due to licensing restrictions or copyright laws that provide or may provide for terms of protection for sound recordings that differ from the rest of the world.


Emil Gilels played a sonata by Scarlatti at his first public concert in 1929 and included them in his tours to the West in the 1950s. These recordings present a splendid group of the composer’s widely contrasting moods. Gilels was a true virtuoso in the Lisztian tradition, combining musical integrity with rarely equalled technique. The Fantasia was one of the works with which he won the First Soviet All-Union Competition in 1933, while his recordings of the Hungarian Rhapsodies and three works by Chopin are full of character and personality. A recently discovered notebook in which Gilels logged some of his recording sessions has made the dating of these recordings more accurate in this edition.


   




Review By Brian Reinhart ,MusicWeb International,September 2012

Emil Gilels lovers, be on high alert: Gilels playing Scarlatti! Here we have Gilels playing the same Scarlatti sonatas, but in the mid-1950s, in really pretty good sound for the era, excellently restored. Gilels’ Scarlatti is magical: pianistic in its drama and color, but classical in its tempo and clarity. Am I saying Gilels’ Scarlatti is worthy of comparison with these greats? Yes, yes I am. The opening measures of K380 make an indelible impression with their evocation of tolling bells, and the rest has an enviable fluidity and natural clarity; the B minor has poetry and expansiveness…

more....


Review By Brian Reinhart ,MusicWeb International,September 2012

Emil Gilels lovers, be on high alert: Gilels playing Scarlatti! Here we have Gilels playing the same Scarlatti sonatas, but in the mid-1950s, in really pretty good sound for the era, excellently restored. Gilels’ Scarlatti is magical: pianistic in its drama and color, but classical in its tempo and clarity. Am I saying Gilels’ Scarlatti is worthy of comparison with these greats? Yes, yes I am. The opening measures of K380 make an indelible impression with their evocation of tolling bells, and the rest has an enviable fluidity and natural clarity; the B minor has poetry and expansiveness…

more....


Review By Brian Reinhart ,MusicWeb International,September 2012

Emil Gilels lovers, be on high alert: Gilels playing Scarlatti! Here we have Gilels playing the same Scarlatti sonatas, but in the mid-1950s, in really pretty good sound for the era, excellently restored. Gilels’ Scarlatti is magical: pianistic in its drama and color, but classical in its tempo and clarity. Am I saying Gilels’ Scarlatti is worthy of comparison with these greats? Yes, yes I am. The opening measures of K380 make an indelible impression with their evocation of tolling bells, and the rest has an enviable fluidity and natural clarity; the B minor has poetry and expansiveness…

more....


Review By Luca Ciammarughi,Musica,September 2012


8.111386_MUSICA_092012_IT.pdf







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