ClassicsOnline Home » NORHOLM, I.: Tavole per Orfeo / Still life / Flowers from the Flora of Danish Poetry / Whispers of Heavenly Death (Torp) > Review List



NORHOLM, I.: Tavole per Orfeo / Still life / Flowers from the Flora of Danish Poetry / Whispers of Heavenly Death (Torp)

Composer(s):Norholm, Ib
Artist(s)
Period(s) Contemporary
Genre Classical Music
Category Vocal
Catalogue 8.226068
Label Dacapo
Quality   320kbps
Album Price
 
MP3
USD 7.99
 

 

   




Review By Juan Carlos Moreno,Ritmo,September 2012

Nacido en 1931, Ib Norholm es el gran renovador de la canción danesa contemporánea. Y este disco es una buena muestra de ello. Tres grandes cuadernos se recogen en él: Flores del Florilegio de la poesía danesa (1966), original para voz y piano y aquí en arreglo para guitarra de Per Palsson; Naturaleza muerta (1968), y Tavole per Orfeo (1967-1969). Todas estas canciones nos hablan de un compositor que ha dejado atrás el serialismo de su juventud para apostar por la conjunción entre un melos lírico y cantábile y un ropaje armónico y tímbrico de inconfundible aroma moderno. Un camino abierto por Flores, si bien aquí lo que domina es el deseo de homenajear a la

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Review By Lynn René Bayley ,Fanfare,July 2012

Ib Nørholm is…an excellent composer with a very individual style combining tonal and atonal techniques into extremely interesting structures and often-singable melodies.

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Review By Ira Byelick,American Record Guide,July 2012

This program of works for soprano and guitar by Ib Norholm shows humor, grace, passion, and excellent craft. Per Palsson’s guitar playing is precise and colorful, and Else Torp’s voice is beautiful and controlled. Stilleliv (Still Life), from 1968, is a set of five songs for soprano, guitar, and percussion with texts by Poul Borum. They are crystalline and witty…Blomster fra den Danske Poesis Flora (Flowers from the Flora of Danish Poetry) is…clever and good natured, and extremely well constructed. © 2012 American Record Guide Read complete review on American Record Guide online



Review By Fabrice Fitch,Gramophone,May 2012

…the composer could hardly wish for more elegant interpreters. Inevitably, Else Torp takes centre stage. In the more modernist pieces her straight tone allows for admirable clarity, while the tonal ones admit of judicious vibrato. Only in the music theatre piece could one have done with more abandon, with Euridice’s venom having still more bite. Ably seconded by her accompanists (with guitarist Per Pålsson enjoying his solo movements in the Orpheus cycle), she delivers polished, assured performances. © 2012 Gramophone Read complete review on Gramophone








 

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