The unconventional Second String Quartet…is notable throughout for its extensive use of counterpoint, right from its fugato opening. In three movements, the first is a ruminative piece of great beauty. The motoric second combines the functions of a large-scale moderato with the pacing and attitude of a scherzo. The lengthy finale begins with a solemn solo recitative…of great power. This leads to a haunting adagio, but the bulk of the movement is a dynamic allegro that launches from a tarantella-like rhythmic cell—only to return dramatically to the cello recitative and its following adagio two minutes before the quartet’s affecting conclusion.

…I have praise for the warmth of the Stanislas’s playing, both quartet and ensemble, and its transparent textures.

With good sound, this one’s highly recommended. © 2012 Fanfare Read complete review

All the musicians here are with the Stanislas Ensemble…Its members achieve a new standard of excellence with their performances of these quartets. Their attention to detail and dynamics brings out all the nuances of Cartan’s tightly knit scores.

Flautist Olivier Sauvage and clarinetist Philippe Moinet distinguish themselves in both of the wind selections. They’re joined by equally talented oboist Pierre Colombain, hornist Pierre Riffault, bassoonist Nicolas Tacchi and pianist Catherine Chaufard in the Introduction et Allegro.

Made at the Salle Poirel in Nancy, France, the recordings present a well-focused soundstage in a warm acoustic with the instruments ideally placed and balanced. Vivid strings, fluid winds, and a well-rounded piano tone make for a generally musical sounding disc. © 2012 Classical Lost and Found Read complete review