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ClassicsOnline Home » PIAZZOLLA, A.: Tango Distinto (Liarmakopoulos) > Review List
Legendary tango performer and composer Astor Piazzolla gained experience of jazz in New York and classical form and technique through studies with Alberto Ginastera. His work lends itself perfectly to arrangement for all kinds of ensemble, and this is the first recording with solo trombone. These popular pieces showcase the stunning playing of multi-award winning soloist Achilles Liarmakopoulos in a variety of moods, including the famous Oblivion, and Le Grand Tango, a virtuoso show-stopper originally written for cellist Mstislav Rostropovich.
Liarmakopoulos’s playing is very sweet and expressive, flowing well from a phrase to phrase. It is clear that he is “telling a story” with every piece. Each work evokes a characteristic setting, which is portrayed well by Liarmakopoulos. The trombone never seems to be an obstacle to the intended emotion and nuance he presents with each composition.
The trombone playing with an ensemble of strings, piano, guitar, percussion and the aforementioned bandoneon is delicate, understated, and technically fluent. The light, transparent quality of this ensemble helps to bring about distinctive colors and qualities of the trombone not readily apparent in other contexts.
The performance throughout is quite impressive, warm, soulful and contains some fabulous arrangements that are great additions to the standard solo repertoire. © International Trombone Association Journal
Achilles Liarmakopoulos, el trombón de los extraordinarios Canadian Brass, se revela como protagonista de excepción de este nuevo disco dedicado a Piazolla. Los tangos del famoso compositor argentino ya se han adaptado a las más diversas formaciones instrumentales, tanto por él mismo como por otros seguidores o admiradores de sus obras. En este nuevo disco se proponen nuevas adaptaciones en las que el trombón funciona como denominador común. Piano, guitarra, contrabajo, violín, viola, marimba y, ¡cómo no!, bandoneón, se alternan en distintas combinaciones instrumentales acompañantes del griego, que además de ser el trombón solista es el responsable de las diferentes adaptaciones de los tangos que incluye el CD. El resultado es un producto musical ameno y de gran interés que seguramente hará las delicias de una muy variada diversidad de público, pues en estas adaptaciones, sin abandonar el espíritu del tango, se integran elementos del Jazz junto a otros clásicos y de la música ligera, que las harán atractivas a diferentes tipos de oídos. Los integrantes del conjunto musical y solistas demuestran musicalidad y el dominio adecuado de los diferentes instrumentos para esta música. © 2012 Ritmo
Piazzolla’s music…revolves around two focal points. They are very different, yet both trap and kill you—one brutally, the other softly. The first one is the aggressive, angry, anxious music. The other kind is lyrical and poignant, the stuff of dreams and memories, of longing and yearning. Its long notes come out well on the traditional “singing” instruments, which are capable of emotional nuance. As this disc shows, in the right hands, the trombone can play both roles. Its sound has the necessary vibrancy. As for emotional nuance, apparently it’s just a function of the proficiency of the performer. Also, being smoother than the “standard” Piazzolla instruments, the trombone brings appealing jazziness to the music.
Diversity is secured by the arrangements, which are done with skill and fantasy. The accompaniments vary a lot, from solo marimba in Nightclub, to guitar in Café, bandonéon, piano and bass in Soledad and Escualo, and a complete string quintet (with double bass) in the Angel pieces. The trombone does not monopolise the limelight. For example, in Soledad it enters very late, letting the bandonéon sing with the piano.
Achilles Liarmakopoulos does not show off, does not squeeze surplus emotion out of the music. His performance is noble. He demonstrates rare restraint, considering it’s his debut disc; on first discs people usually want to impress and not necessarily with the music. The recording is clean and good.
This disc definitely serves as a good introduction to Piazzolla: I am sure it will only spur further interest. For those who know this composer, it can come as an interesting alternative to the more “standard” readings. The music of Piazzolla suits the trombone surprisingly well, especially when the instrument’s voice soars so expressively, as in Oblivion or Milonga del Angel. I doubt that anyone would be unmoved when this happens. © 2012 MusicWeb International Read complete review
The award-winning, Greek-born trombonist (a permanent player with Canadian Brass) serenades and scampers with seductively sweet tones in popular, jerky tango rhythms used by Astor Piazzolla (1921-1992).
Assisting the soloist are backing musicians ranging from solo guitar in two parts of Histoire du Tango, to a string quartet in the Serie del Angel, with bandoneon (Hector del Curto) and marimba notable in places.
Included is Le Grand Tango, written as a virtuoso item for Rostropovich on cello, and now a brilliant tour de force for trombone and piano (Robert Thompson).
Highlight: magnificent trombone swoops in Michelangelo ’70 herald dazzling performances. © 2012 Otago Daily Times Read complete review
A swinging, sultry collection of arrangements of the Tango King’s music showcasing the exceptional talent of Greek trombonist Achilles Liarmakopoulos. © 2012 BBC Music Magazine
These popular pieces showcase the stunning playing of multi-award winning trombonist Achilles Liarmakopoulos in a variety of moods, including the famous Oblivion and Le Grand Tango. © 2011 The Northern Echo
Piazzolla’s music appears in a variety of arrangements, but this is claimed as the first recording with a trombone as the constant element. I don’t recall having encountered the young Greek trombonist Achille Liarmakopoulos before, but he’s a fine exponent of the music, in combination with a variety of other instruments. You probably already know if you like Piazzolla’s music—and it’s very hard to dislike. If you don’t, this is as good a way as any to get to know it…
Because this is, for the moment at least, download only, there is no booklet, but you’ll find a tab which leads you to ‘about the music’.