ClassicsOnline Home » Chamber Music for Recorder and Lute - VITALI, T.A. / TELEMANN, G.P./ BACH, J.S. / VIVALDI, A. / CORELLI, A. (Virtuoso Baroque) (Petri, Hannibal) > Review List



Chamber Music for Recorder and Lute - VITALI, T.A. / TELEMANN, G.P./ BACH, J.S. / VIVALDI, A. / CORELLI, A. (Virtuoso Baroque) (Petri, Hannibal)

OUR Recordings
Chamber Music for Recorder and Lute - VITALI, T.A. / TELEMANN, G.P./ BACH, J.S. / VIVALDI, A. / CORELLI, A. (Virtuoso Baroque) (Petri, Hannibal)

Composer(s):
Artist(s) Hannibal, Lars, lute • Petri, Michala, recorder
Period(s) Baroque (1600-1750)
Genre Classical Music
Category Chamber MusicInstrumental
Catalogue 6.220604
Label OUR Recordings
Quality   320kbps
 
 
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6.220604
 

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Review By Margareth Rees,The Consort: Journal of the Dolmetch Foundation,June 2012

This engaging programme explores repertoire far beyond the regions normally inhabited by the baroque recorder, and Michala Petri’s fine playing is so sensitively supported by the creative accompaniment of Lars Hannibal… © 2012 The Consort: Journal of the Dolmetch Foundation



Review By Margareth Rees,The Consort: Journal of the Dolmetch Foundation,June 2012

This engaging programme explores repertoire far beyond the regions normally inhabited by the baroque recorder, and Michala Petri’s fine playing is so sensitively supported by the creative accompaniment of Lars Hannibal… © 2012 The Consort: Journal of the Dolmetch Foundation



Review By Margareth Rees,The Consort: Journal of the Dolmetch Foundation,June 2012

This engaging programme explores repertoire far beyond the regions normally inhabited by the baroque recorder, and Michala Petri’s fine playing is so sensitively supported by the creative accompaniment of Lars Hannibal… © 2012 The Consort: Journal of the Dolmetch Foundation



Review By Margareth Rees,The Consort: Journal of the Dolmetch Foundation,June 2012

This engaging programme explores repertoire far beyond the regions normally inhabited by the baroque recorder, and Michala Petri’s fine playing is so sensitively supported by the creative accompaniment of Lars Hannibal… © 2012 The Consort: Journal of the Dolmetch Foundation



Review By Diether Steppuhn,Chamber Music,January 2012

Es war David Munrow, der nach dem Krieg die Blockflöte aus dem Kinderzimmer auf das Koncertpodium holte und das atemlose lauschende Publikum mit barock Werken in Entzücken versetzte, die man noch nicht gehört hatte—so jedenfalls erlebte ich es in den 1960er Jahren. Mit Frans Brüggen begann eine ganze Dynastie solcher Virtuosen, Michala Petri ist schon Lange einen von Ihnen. Sie erweiterte das Repertoire in vielen Richtungen, in die Moderne, gar ins Fernöstliche, macht Cross-Over-Ausflüge und spielt eigens für sie Komponiertes. Zur Feier eines 20-jährigen Duo-Jubiläums mit Lars Hannibal, ihrem Lautenpartner, kehrt sie zu ihren Wurzeln zurück, zu den grossen Barockkomponisten. Alle Werke dieser CD sind Wohlbekannt und trotzdem

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Review By Southern California Early Music Society Newsletter,December 2011

Petri-Hannibal have recorded their most popular Baroque hits…The playing is ravishing, the sound is almost decadently intimate. © 2011 Southern California Early Music Society Newsletter



Review By James Manheim,Allmusic.com,November 2011

This release by Danish recorder virtuosa Michala Petri has a couple of points of interest for those looking for a fun introduction to the world of Baroque recorder music. …the biggest attraction is the playing of Michala Petri herself. There are lots of young players with inventive ideas in the recorder repertory, but few that could handle the crushing transcription of Tartini’s “Devil’s Trill” sonata on offer here, and few capable of the mixture of tonal control and musicality that she manages throughout. The accompaniment is provided by the solo archlute of Lars Hannibal, a nice change from the usual keyboards and a richly resonant sound that defines a large musical space when paired with a recorder in its upper reaches. This in turn is captured

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