Guarnaschelli has a mainstream modern sound…Her sound is medium dark, compact—it sounds as if she’s playing an Alexander horn…

She has a rock-solid technique, tremendous evenness of sound (no falsetto-sounding high register out of her!) and phrases beautifully.

Guarnaschelli plays…with unimpeachable technique, a lovely, round, Germanic tone, and a seamless, velvety legato. She and the Signum Quartet approach the material with respect for the conventions of the period in terms of ornamentation and use of vibrato…general audiences should find their playing attractive. The sound is clean, warm, and beautifully balanced. Read complete review

Guarnaschelli’s tone is buttery and burnished (no small feat on her notoriously difficult instrument), and the ensemble playing is consistently warm and sweetly energized. These are delightful pieces, very pleasingly played, and the album is strongly recommended to all classical collections.