Strong advocacy for the music of a composer fascinated by the church

…the music here reflects a composer fascinated by the church and its scriptures…the string scoring is highly accomplished, and there is a real sense of commitment behind Graham Ross’s sharply focused direction…Tom Winpenny brings assurance with some adept handling of Bingham’s complex organ-writing.

Tom Winpenny opens an illuminating window on Bingham’s richly-coloured, programmatically-driven engagement with the ‘king of instruments’…Given Bingham’s exacting colouristic emphasis, it’s as well that Winpenny knows the St. Albans instrument like the back of his hand, coaxing an array of voluptuous and apposite sounds.  But he’s also alert to the fluidity of her narratives, and, when called upon to do so, serves up virtuosic flair with incorrigible panache.