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TCHAIKOVSKY, P.I.: 18 Morceaux, Op. 72 (Shamray)

Composer(s):Tchaikovsky, Pyotr Il'yich
Artist(s) Shamray, Konstantin, piano
Period(s) Romantic
Genre Classical Music
Category Instrumental
Catalogue 8.572225
Label Naxos
Quality   320kbps
Album Price
 
MP3
USD 6.99
 

 


Tchaikovsky completed his last set of piano pieces about six months before his death. Each bears a dedication to a friend or colleague including distinguished musicians such as Paul Pabst, Vasily Sapelnikov and Vasily Safonov. The 18 pieces are no mere salon effusions; rather they are richly characterised, sometimes virtuosic, and perfectly crafted miniatures. Schumann and Chopin are deliberately evoked, the music embracing a rich variety of dance, melancholy, fantasy and bravura. The set is played by the brilliant young prizewinner of the Sydney International Piano Competition in 2008, Konstantin Shamray.


   




Review By Paul Orgel,Fanfare,November 2012

Konstantin Shamray’s Tchaikovsky makes me smile… © 2012 Fanfare



Review By Paul Orgel ,Fanfare,July 2012

Shamway’s understanding of the rhythmic flexibility required in Tchaikovsky’s style, his good taste in not taking it too far, and his truly impressive technique result in joyful music-making from the first phrase of the jaunty opening Impromptu to the final “Scène dansante.”

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Review By Lawrence Hansen,American Record Guide,July 2012

This is most welcome: a very well played and recorded traversal of Tchaikovsky’s last set of solo piano pieces…

Pianist Shamray gets just about everything right. He doesn’t shy away from the hints of the other great romantic piano masters, but he retains Tchaikovsky’s unique voice. Few composers could spin out a melody like Tchaikovsky, but the piano is a percussion instrument. It’s much harder to express lyricism on it than with the string section of a symphony orchestra. But Mr Shamray does it! There are plenty of vigorous passages, too, but he doesn’t pound those out.

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Review By Francesco Burns,International Record Review,June 2012

Shamray proves he has a musical gift which provides much interest throughout this recording. © 2012 International Record Review



Review By Steve Arloff,MusicWeb International,May 2012

these short pieces are beautiful…from the very first note Tchaikovsky transports you into another world with such consummate skill you are left in no doubt that you are in the hands of a genius. He writes with such breathtaking ease you are simply left to marvel at it. Each of these eighteen pieces…is a miniature masterpiece and they all punch well above their weight. From lullabies to mazurkas, from waltzes to meditations, these little gems sparkle with light and are simply delightful. Playing them here is a young Russian pianist Konstantin Shamray…The description of him as having “dynamite in his fingers” is aptly deserved. This is a thoroughly enjoyable disc with well written and documented notes by Keith Anderson giving a background to each

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Review By Jordi Caturla González ,Ritmo,May 2012

Las minituras que componen estas 18 Piezas para piano op. 72 son los fragmentos del testamento pianístico de Tchaikovsky, escrito seis meses antes de su fallecimiento. Raramente grabadas—y menos interpretadas en las salas de concierto—estas piezas dedicadas una por una a varias personalidades y amistades del ruso, manifiestan sin tapujos su amor a Chopin y Schumann a través de una gran variedad estilística y formal, que van desde la danza hasta las meditaciones, desde la bravura al intimismo. Todo un reto musical que Konstantin Shamray, en su debut en Naxos, afronta sin reservas, exhibiendo un gran potencial técnico—como se puede escuchar en el Scherzo-Fantasie o la Polacca de

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Review By Remy Franck,Pizzicato,April 2012

Im Frühjahr 1893, parallel zu seiner 6. Symphonie, komponierte Piotr Tchaikovsky “um etwas Geld zu verdienen”, wie er an seinen Bruder schrieb, seine Klavierstücke op. 72. In einer anderen Nachricht sprach er von “seinen musikalischen Pfannkuchen”. Die Ideen kämen ihm nur so zugeflogen, steht in einem weiteren Brief. Die 18 Stücke sind nun wirklich keine Salonmusik, sondern sehr differenzierte, häufig virtuose und perfekt durchkomponierte Miniaturen.

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