REGISTER NOW AND GET • 5 FREE tracks! • 101 tracks for $9.99
ClassicsOnline Home » Great Singers Live: Ghiaurov, Nicolai > Review List
Es de celebrar que el sello Br Klassik rescate algunos de los más famosos conciertos muniqueses de los domingos, que la Rundfunkorchester ofrecía desde los cincuenta en diferentes localizaciones de la capital bávara. Dedicados especialmente a las voces más punteras del momento, en ellos, los cantantes se podían permitir el lujo de alejarse de su repertorio y desempolvar algunas partituras olvidadas, o bien revalidar sus más aplaudidas interpretaciones. Precisamente esto es lo que ocurre con el disco dedicado a Nicolai Ghiaurov, que centra su aparición de 1966 en Mefistófeles, Felipe II, Boris o Fiesco y la de 1969 en recuperar páginas rusas menos conocidas y una rareza bizetiana, La Jolie Fille de Perth.
En ambas ocasiones, dirigido con maestría por Prêtre o Antonini, y respaldado brillantemente por la orquesta, demuestra la razón por la que fue tan apreciado desde su aparición en el panorama lírico. El fraseo es tan sugerente como variado, siempre idiomático, y los medios, ayudados por una espectacular técnica, apabullantes. Tanto en el repertorio italiano, con un elegantísimo Verdi, como en el ruso, con su majestuoso y alabado Boris, el rotundo Ghiaurov conquista desde la primera nota.
It is appropriate that the other new release on the Great Singers Live series from the Münchner Rundfunkorchester (also on BR Klassik) is of the great Bulgarian bass Nicolai Ghiaurov.
Ghiaurov often sang with Freni and was married to her from 1977 until his death from a heart attack on June 2, 2004, at the age of 74. His final stage performance was earlier that year. (In addition to his own performances, he coached Freni in the Russian roles for which she won acclaim.)
The Ghiaurov recordings were made in 1966 and 1969, when he was in his prime. From the first notes from Gounod’s “Faust” it is clear that he possessed a commanding voice, not quite as dark as Boris Christoff’s, his fellow bass from Bulgaria.
The collection also brings out his versatility and ability to act out his roles, ranging from the sardonic Devil to the tortured Czar Boris Godunov (“The Coronation Scene”). The arias from “Simon Boccanegra” and “Don Carlos” again highlight the drama, while the singer’s comic side comes to the fore in arias from “The Barber of Seville” and an obscure piece by Tichon Chrennikow (in which Ghiaurov plays a funny drunk).
The orchestral sound on this and the Freni CD are not up to modern standards but are acceptable. My main criticism is that translations would have helped, at least for the Chrennikow and an aria from Bizet’s “La jolie fille de Perth.” But the bottom line is that the singing is extraordinary.