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Oboe Recital: Quero, Ramon Ortega - DIEUPART, C. / VIVALDI, A. / BLAVET, M. / VERACINI, F.M. (Shadows)

Solo Musica
Oboe Recital: Quero, Ramon Ortega - DIEUPART, C. / VIVALDI, A. / BLAVET, M. / VERACINI, F.M. (Shadows)

Composer(s):
Artist(s) Buchberger, Luise, cello • Kofler, Peter, harpsichord • Quero, Ramon Ortega, oboe
Period(s) Baroque (1600-1750)Classical (1750-1830)
Genre Classical Music
Category Chamber Music
Catalogue SM142
Label Solo Musica
Quality   320kbps
Album Price
 
CD
USD 18.99
 

 
MP3
USD 9.99
 

 

   




Review By Pedro Sancho de la Jordana Dezcallar,Ritmo,November 2011

Excelente presentación discográfica de este joven y multipremiado oboísta granadino que, con su instrumento, es capaz de atraparnos y seducirnos para siempre. El programa elegido consta de obras francesas e italianas entrecruzadas en un amistoso duelo de sonoridades tan vistoso como interesante. Los franceses Dieupart y Blavet alternan con Vivaldi y Veracini en arreglos para oboe (a excepción de Vivaldi) de sonatas y suites varias. De Charles Dieupart (París; 1667 Londres; 1740) escuchamos su Suite VI de una delicadeza y una elegancia extremas que Ortega nos hace llegar con una especial forma de frasear que exhala musicalidad de la mejor ley. Hay ternura, candor y poesía en el comienzo, adagio, de la sonata vivaldiana RV 28 que

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Review By George Chien ,Fanfare,May 2011

The young Spanish oboist Ramón Ortega Quero believes that early music can be as well served by modern instruments as by ancient ones, and to test this proposition he has assembled a program of sonatas (and a suite) from the Italian and French Baroque. It’s also a borrowed program—Blavet was an itinerant flutist; Dieupart’s instrument was the harpsichord; Veracini and Vivaldi played the violin. Only Vivaldi’s C-Minor Sonata was intended for the oboe. But such borrowing was standard practice at the time. Quero’s program was also designed to contrast the opposing styles of the French and Italian Baroque, though only Dieupart’s suite is essentially French. Blavet’s sonatas are strongly influenced by the Italian mode, exemplified by

A minor complaint: The 25 movements are banded separately, but only the six pieces are numbered in the booklet.

As before, my lips are sealed. You’ll have to buy this disc to find out. You won’t regret it.

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Review By David Schwartz,American Record Guide,March 2011

Here’s a young oboist with a youthful, but not excessively forceful or affected tone and style. This is a fantastic recording of French and Italian Baroque works for oboe and continuo.

To read the complete review, please visit American Record Guide online.








 

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