Users' Reviews
By DL93385
17-Jul-2010
Surprising, cinematic, fully enjoyable discovery
The disc opens with Istar and its lush, atmospheric opening with prominent horns and woodwinds. This is followed by a melodic interplay between solo strings (violin) and solo woodwinds (oboe/flute). Then enters a happy jaunt which is quickly interrupted by a march followed by swirling romantic themes (reminiscent of Bernard Hermann at his romantic best) coming to a grand conclusion.
D'Indy's Chorale Varie for saxophone is beautiful, moody, and solemn with a tonal texture similar to Dvorak's New World Symphony composed 10 years earlier. The saxophone proves to be a worthy symphonic instrument too often overlooked.
Symphony #3 is a little of a mixed bag, however. The 1st movement is indicated as "Lent et Calme," but it more closely resembles a march with mildly calm moments. The 2nd carries on in a brisk, playful mood. In contrast, the 3rd opens with moody solo lines from the woodwinds (flute, oboe, clarinet) which continue throughout. The sometime gallant / sometime lumbering 4th movement is announced by the horns followed by the bass drum and timpani. D'Indy's sparse orchestration is what makes it lumber for me as the least interesting of the four movements, which makes for an unsatisfying close to an otherwise worthwhile piece.
The disc closes with Diptyque Mediterraneen, featuring a sunrise (part one) and sunset (part two). Part One of this lush, exceedingly beautiful tone poem opens quietly with shimmering strings accented with brief lines from the winds, slowly to the early morning sun - thus its title of "Soleil Matinale." On a personal note, I'm a sucker for sunrise music - I love when the music "emerges" in soft, shimmering pieces, gradually increasing in radiance until the full splendor of life surrounds you. Sunset music, however, is totally new for me and it is what D'Indy tackles as the subject of Part Two, "Soleil Vesperal." He does an admirable job of reversing the sun's movement, ushering in the darkness at the very close of the piece.
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