By b.coquillon
28-Jun-2009

BLOCH, E.: Prelude and 2 Psalms / Suite hebraique / Baal shem / 3 Jewish Poems (Sloane  A series of beautifully composed pieces of music which are most beautifully performed by the Deutches Symphony Orchestra, Berlin.

The music is inspiring and very haunting and moving. Highly recommended.more....

By Elaine Fine
American Record Guide
01-Jul-2009

Ernest Bloch was a very versatile composer, who sometimes wrote in the modal-Jewish style he is often associated with. This recording shows that Bloch could do just about anything with an orchestra, just about anything with any sort of harmonic language, and that he could even defy expectations by writing Jewish-themed music that sounds completely different from what most people imagine Jewish music sounds like.

The Trois Poemes Juifs from 1913 is a deeply moving orchestral piece with a huge emotional and textural range that moves gradually from widely-spaced harmonies reminiscent of what Copland would use 20 years into the future to a dense and intense style of orchestration reminiscent of Richard Strauss in his later operas.

By Paul Turok
Turok's Choice
01-Jun-2009

The disc contains the Two Psalms (1912) for soprano and orchestra and the Three Jewish Poems (1913) for orchestra, Baal Shem (1923), which is more convincing in its version for violin and piano than in the later orchestral version presented here. The Suite hébraïque, was originally for viola and piano (1951). Soon after writing it, he created a version for viola and orchestra, which, because the music doesn’t seem as personal as Baal Shem, works equally well in both versions. Excellent performances by soprano Christiane Oelze, violinist Antje Weithaas, violist Tabea Zimmermann. The Poems, the longest and most important work on the disc, is performed with greater clarity than any prior recording. The Psalms and Poems were among the first works in which he consciously introduced Jewish elements, evident in the augmented intervals he superimposes on a strong musical flow that seems to stem from his own personality, as expressed in his early but quite craggy symphony and the opera “Macbeth.” The orchestral works of D’Indy seem a major influence. Excellent sound.

By Mike D. Brownell
Allmusic.com
01-May-2009

Although Ernest Bloch composed extensively throughout his long lifetime in a variety of genres, his legacy today lives on the strongest in his works inspired by his Jewish faith. The works composed from 1911 through 1916 generally are said to constitute his “Jewish Cycle” and include the Deux Psaumes for soprano and orchestra and Trois Poémes Juifs for orchestra heard here. His composition using Jewish themes and styles did not stop in 1916; however, Bloch continued in this vein in 1923 when he composed the often-performed Baal-Shem for violin and orchestra and again in 1951 with the haunting Suite Hébraïque for viola and orchestra. The string soloists assembled for this Capriccio album do a marvelous job of capturing the folk idiom Bloch was after, accentuating the distinctive augmented seconds, playing with an abundance of fervor and intensity. Violist Tabea Zimmermann’s sound, in particular, is wonderfully guttural and sensual, although this magnificent sound is sometimes obscured by the orchestra. Violinist Antje Weithaas’ playing is equally focused and intense and passionate; intonation is spot-on throughout Baal-Shem, a work that often vexes the technical capabilities of violinists…this album is very well produced with pleasing sound quality throughout.