CHERUBINI, L.: Chant sur la mort de Joseph Haydn / Symphony (Cappella Coloniensis, Ferro) | ClassicsOnline Classical Music CD mp3 downloads | Free preview streaming

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		Work/Track Title			Time		USD Price		MP3 Tracks
		CHERUBINI, L.: Chant sur la mort de Joseph Haydn / Symphony (Cappella Coloniensis, Ferro)			53:44

Chant sur la mort de Haydn

Introduction

8:42

1.99

Recitative: Amans des nobles Soeurs (tenor 1)

4:46

0.99

Recitative: A ses tendres accents (tenor 2)

1:49

0.99

Recitative: Non ce feu createur (soprano)

0:25

0.99

Maestoso: L'un et l'autre est vainqueur (soprano, tenor 1, tenor 2)

9:00

1.99

Symphony in D major

I. Largo - Allegro

10:41

2.99

II. Larghetto cantabile

8:00

1.99

III. Minuet: Allegro non tanto

5:20

1.99

IV. Allegro assai

5:01

1.99

Total Selected Album Items ( 0 ) Sub-Total Amount ( 0 )

Published Reviews

By James H. North
Fanfare
01-Jul-2009

The singers are each excellent, both in the dramatic recitatives and in ensemble. The sound of the WDR stereo recording is decent and

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By Paul Turok
Turok’s Choice
01-Jun-2009

WDR broadcasts from Cologne offer wonderful performances by Cappella Coloniensis, of clarinet concertos by Carl and Johann Stamitz (Phoenix177) Cherubini’s Chant sur la mort de Joseph Haydn, beautifully sung by Marilyn Schmiege, Martyn Hill and Paolo Barbacini and Symphony in D Major (Phoenix175), symphonies by Gossec, Vanhal, Mahaut and Kraus (Phoenix174), flute concertos by Frederick the Great, Telemann and Fasch (Phoenix172), overtures by Heinchen, Graupner (with prominent use

more....

By Steven J Haller
American Record Guide
01-May-2009

Cherubini wrote [Dirge on the Death of Joseph Haydn] in January 1805 after reading in the paper—erroneously, as it turned out—that Haydn had just died. No doubt the two gentlemen had quite a good laugh over that when they met in Vienna 10 months later. Accordingly, Cherubini immediately had all printed copies of the score destroyed, not to be performed in public until four years later in 1809 (some sources give 1810) on the occasion of Haydn’s actual passing. Cherubini based the piece on a motif from The Creation and adopted orchestral forces commensurate with Haydn’s London Symphonies.

The sonorous chorale in the trombones reminds us Haydn was a Freemason—in fact the work was originally commissioned by a French

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