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ClassicsOnline Home » COUPERIN: Apotheoses

COUPERIN: Apotheoses

COUPERIN: Apotheoses

Composer(s)Couperin, Francois
Artist(s) London Baroque, Ensemble
Period(s) Baroque (1600-1750)
Genre Classical Music
Category Chamber Music
Catalogue BIS-CD-1275
Label BIS
Quality   320kbps
Album Price
USD 9.99


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Work/Track Title Time USD Price MP3 Tracks
COUPERIN: Apotheoses 1:04:07   
  Le Parnasse ou L'Apotheose de Corelli              
      I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them. 2:19    0.99   Add to cart  
      II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers. 2:16    0.99   Add to cart  
      III. Corelli drinks at the well of Hypocrene. His followers proceed. 2:41    0.99   Add to cart  
      IV. Corelli's exaltation at drinking at the waters of Hypocrene. 1:03    0.99   Add to cart  
      V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music. 2:25    0.99   Add to cart  
      VI. The Muses wake Corelli and place him next to Apollo. 0:52    0.99   Add to cart  
      VII. Corelli gives thanks. 2:12    0.99   Add to cart  
  Concert Instrumental sous le Titre d'Apotheose composer a la memoie immortelle de...Lully              
      I. Lully in the Elysian Fields making music with the spirits of the underworld. 2:31    0.99   Add to cart  
      II. Air for the same. 2:22    0.99   Add to cart  
      III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there. 0:39    0.99   Add to cart  
      IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus. 3:14    0.99   Add to cart  
      V. Subterranean rumblings caused by Lully's contemporaries. 0:37    0.99   Add to cart  
      VI. Lamentations of the same for flutes or very muted violins. 2:28    0.99   Add to cart  
      VII. Lully is elevated to Parnassus. 1:01    0.99   Add to cart  
      VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses. 2:22    0.99   Add to cart  
      IX. Lully's thanks to Apollo. 2:40    0.99   Add to cart  
      X. Apollo persuades Lully and Corelli that ... French and Italian styles would make perfection in Music: Essay in the form of an overture. 4:12    0.99   Add to cart  
      XI. Lully plays the subject and Corelli accompanies it (First Air); Corelli plays the subject ...and Lully accompanies it (Second Air) 2:02    0.99   Add to cart  
      XII: The Peace of Parnasus (Trio Sonata): I. Gravement 2:45    0.99   Add to cart  
      XIII. The Peace of Parnasus (Trio Sonata): II. Saillie (Vivement) 1:29    0.99   Add to cart  
      XIV. The Peace of Parnasus (Trio Sonata): III. Rondement 1:38    0.99   Add to cart  
      XV. The Peace of Parnasus (Trio Sonata): IV. Vivement 1:34    0.99   Add to cart  
  — - — - Air tendrement - — - Legerement - Vivement 9:33    1.99   Add to cart  
  Gayement (Bruit de Guerre) - Lentement - Gravement - Legerement - Mouvement de Fanfares - Lentement - Gravement - Gayement 9:12    1.99   Add to cart  
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