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ClassicsOnline Home » MAHLER, G.: Symphony No. 4 (Sinopoli) (Edition Staatskapelle Dresden, Vol. 21)

MAHLER, G.: Symphony No. 4 (Sinopoli) (Edition Staatskapelle Dresden, Vol. 21)

Composer(s)Mahler, Gustav
Period(s) Romantic
Genre Classical Music
Category Orchestral • Spoken Commentary
Catalogue PH07047
Label / Series Profil / Edition Staatskapelle Dresden
Quality   320kbps
  Booklet / liner notes available
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Work/Track Title Time
MAHLER, G.: Symphony No. 4 (Sinopoli) (Edition Staatskapelle Dresden, Vol. 21) 1:19:31   
  Symphony No. 4 in G major          
      I. Bedachtig, nicht eilen 18:11       
      II. In gemachlicher Bewegung, ohne Hast 10:23       
      III. Ruhevoll, poco adagio 21:59       
      IV. Sehr behaglich 11:39       
  Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) (Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Four          
      So wollte ich Sie, [...] mit den Anfang der Sinfonie gruben. (I though I would greet you, [...] with the opening bars of the symphony.) 4:08       
      Ich mochte lhnen nun den Anfang dieses Liedes vorspielen. (I should now like to play the beginning of this song) 1:49       
      Der erste Satz, [...] ist in Sonatenform Komponiertnen. (The first movement [...] is in sonata form.) 2:04       
      Nach diesem Auftakt in h-Moll prasentiere... (After this upbeat in B Minor...) 0:18       
      Und anschliebend ensteht das zweite Thema des Hauptsatzes: (And then comes the second theme of the first part of the expositon:) 0:26       
      Und jetzt der Nachsatz: (And now the after-phrase:) 0:40       
      Und jetzt kommt, was oft in der klassischen Musik geschieht... (Now comes something which often happens in Classical music...) 1:36       
      Jetzt Kommen wir zu unserem dritten Thema... (Now we come to our third theme...) 0:58       
      Und jetzt horen Sie den Seitensatz. (And now you hear the second part of the exposition.) 1:15       
      Beethovens Klaviersonate op. 27 Nr.1 enthait imersten Satz ein thema, das absolut [...] (The first movemetn of Beethoven's Piano Sonata Op. 27 No. 1 contains a thema which is absolutely [...]) 0:36       
      Und nochmals die Celli zum Vergleich. (And again the cellos for comparison.) 0:40       
      Ich bitte jetzt alle fur das erste Thema des Seitensatzes. (I would now like the first theme of the second part of the exposition from all of you.) 0:39       
      Und nun kommt das zweite Thema des Seitensatzes. (and now comes the second theme of the second part of the exposition.) 0:51       
      Dann kommt eine Wiederholung. (then comes a repeat.) 1:19       
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