David Angus
Great Inventors and their Inventions
Today, on television, you can watch a natural
history film which shows a chimpanzee
using a twig to pick ants out of their nest.
You may be seeing something like the first
steps that our own, apelike ancestors took
on the road to modern technology. Of
course, it’s a big jump from a twig to a
television set, but many people believe that
this is so. From the earliest times, the ability
of human beings to use our intelligence to
solve physical problems has made us the
most successful species on the planet. In no
area of our history is this ingenuity more
remarkable, than in mankind’s almost
endless capacity for invention. The chimney,
the plough, the wheel, the saw, the needle:
so many objects that we take for granted,
are all the result of someone once having
had a good idea.
However, just as important as the idea
itself is the determination to see it through.
Nearly every significant invention has taken a
great deal of trial and error to make it
actually work. One of the most famous of all inventors, the American, Thomas Alva
Edison, remarked that invention was ‘one
per cent inspiration and ninety-nine per cent
perspiration.’ It is also true that the people
who have these ‘inspirational’ ideas can be
rather surprising. Of course many of them
have been tremendously clever, but often
their intelligence has not been recognised at
the time, because they were unconventional.
What marks out an inventor is the ability to
see the solution to a problem in a way that
no one else has. Sometimes this can make
them seem rather eccentric, and the popular
view of the inventor as a bit of an ‘odd ball’
is often not far from the truth. Science is not
quite the same thing as invention. Scientists
tend to discover things that already exist in
nature, while inventors create things that are
entirely new. However, science and invention
may often go hand in hand. For example in
the nineteenth century, the discovery of the
dynamo, which converted mechanical power
into electricity, opened up a whole new area
of invention, to those who could understand it. Similarly, the discovery of coal gas, from
coal, and then petrol, from crude oil, led to
the invention of the internal combustion
engine and eventually to the motor car. By
the beginning of the next century, invention
had itself become an industry, with teams of
researchers working together to exploit
these new sciences in a practical way. In the
twentieth century the extraordinary scientific
theories of Albert Einstein led to the
invention of nuclear reactors and the atomic
bomb. One of the most contentious issues
surrounding invention has always been the
question of profit. Because a great deal of
effort, perhaps years of work, may go into
the creation of a new invention, it is not
unreasonable that the inventor should
expect to be properly rewarded. So inventors
need to be able to protect their ideas
through laws named patents. The first
recorded patent was issued in 1421, by the
City of Florence to Fillipo Brunelleschi, the
architect who built their great cathedral. In
order to move and lift the heavy materials
needed to do the job, he designed a barge
that carried a powerful crane. The patent
declared that anyone else, who built such a
machine, would have to pay Brunelleschi for
using his idea. Soon other countries set up
their own patent laws. The first patent granted in England was in 1449 to John
Utyman, for his process of making stained
glass windows. Today, there are
international patent agreements, so that
new inventions can be protected, usually for
up to twenty years, all around the world.
Although it is a lengthy business applying
for a patent, (it can take several years and
cost hundreds of pounds to establish that a
new invention is truly original), it does not
discourage a host of would be inventors
from applying. On average the UK patent
office receives around 25,000 new
applications every year.
However, many people, and even some
inventors, have always argued that new
ideas should be free and for the benefit of
all mankind. This dispute has raged as long
as men have been inventing things and the
moral questions raised by this argument will
not go away. For example, one can
understand the position of drug companies
who say that the development of new
medicines is so expensive that they must be
allowed to make profits on their sales. If they
did not, they argue, these wonderful new
medicines would not be invented at all. But
this is of little comfort to those people who
cannot afford them.
And it is not only in medicine that these inequalities appear. We have even
invented new words: 'developed' and
'underdeveloped' countries to describe
those parts of the world that have, or have
not, the luxury of being supported by
modern technology. It is also true that while
inventions, and new technologies, can
change our lives, not everyone has always
agreed that this is for the better. In England,
in 1811, a group known as the Luddites,
took to smashing equipment in the new
'factories', because they were afraid that this
technology would put many of them out of
work, and of course they were right. Today,
many people believe that new technologies
will in the end destroy the environment that
we depend on for life, and that we can
already see this beginning to happen, with
industrial pollution causing global warming
and acid rain. As we can see, when
someone has a good idea, it can be very
hard to predict what the result will be. But
no matter what the arguments may be
against the development of new ideas, no
force imaginable can actually stop people
thinking. Perhaps the greatest challenge
facing the next generation of inventors
will be to solve the problems that have
arisen from our misuse of the inventions of
the past.
Notes by David Angus
The music on this recording is taken from the NAXOS catalogue
On the Way to Bethlehem (Music of the Medieval Pilgrim)
8.553132
Ensemble Oni Wytars / Ensemble Unicorn
BRAHMS Academic Festival Overture
8.550281
BRT Philharmonic Orchestra, Brussels / Alexander Rahbari
BRAHMS Symphony No 4 in E minor
8.550281
BRT Philharmonic Orchestra, Brussels / Alexander Rahbari
DVOŘÁK Symphony No 9
8.550271
Slovak Philharmonic Orchestra / Stephen Gunzenhauser
MOZART Overtures Idomeneo
8.550185
Capella Istropolitana / Barry Wordsworth
PARRY An English Suite
8.550331
Capella Istropolitana / Adrian Leaper
LEONCAVALLO Mattinata
8.550087
CSR Symphony Orchestra (Bratislava) / Ondrej Lenard
SOUSA Tales of a Traveller
8.559093
Royal Artillery Band / Keith Brion
SOUSA Looking Upward Suite
8.559058
Royal Artillery Band / Keith Brion
Music programmed by Sarah Butcher