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ClassicsOnline Home » SAMMARTINI: Gerusalemme sconoscente ingrata / Confitebor / Symphonies

SAMMARTINI: Gerusalemme sconoscente ingrata / Confitebor / Symphonies

Composer(s)Sammartini, Giovanni Battista
Period(s) Baroque (1600-1750)
Genre Classical Music
Category Choral - SacredOrchestralVocal
Catalogue 8.570253
Label Naxos
Quality   320kbps
  Booklet / liner notes available
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Sammartini had a long and active musical career, working as maestro di cappella or organist in as many as ten different churches, yet surprisingly few of his sacred compositions survive. In the sacred cantata Gerusalemme sconoscente ingrata, set to a text from another of his cantatas, La perfidia giudaica nella SS. Passione di Gesù Cristo, vocal texture is dominated by a typically Italianate melodiousness and virtuosity, while the orchestral writing is full of daring harmonies, sparkling themes, and an inexhaustible wealth of ideas. Other sacred cantatas by Sammartini are available on Naxos 8.557431, 8.557432 and 8.570254.

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Work/Track Title Time
SAMMARTINI: Gerusalemme sconoscente ingrata / Confitebor / Symphonies 58:13   
  Gerusalemme sconoscente ingrata (Jerusalem, ungrateful and disowning), J-C 122          
      Introduction: Sinfonia 2:04       
      Recitative I: E Chi di voi mi reca Del mio Gesu novella? (Mary Salome) 1:35       
      Aria: Lupo crudel rapace (Mary Cleophas) 9:32       
      Recitative II: Oh popolo spergiuro! (Mary Salome) 1:14       
      Aria: Di Davidde il Figlio viva (Mary Salome) 10:35       
      Recitative III: Io stessa il vidi, in mezzo all'empio stuolo (Mary Magdalene) 1:03       
      Aria: Quel Serto, quel Manto (Mary Magdalene) 7:39       
      Recitative IV: Pur cio non valse ad ammolir que duri, Perfidi cori (Mary Cleophas) 0:55       
      Finale: Forsennata Sionne infedele (Angel Chorus) 2:48       
  Confitebor, J-C B-5 7:19       
  Symphony in E-Flat Major, J-C 25          
      I. Presto 4:06       
      II. Allegro 2:01       
  Symphony in G minor, J-C 56          
      I. Allegro 2:04       
      II. Andante 1:47       
      III. Presto 3:31       
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