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ClassicsOnline Home » BRAHMS, J.: Hungarian Dances Nos. 1-21 (Budapest Symphony, Bogar)
Sunday Herald Sun (Australia)
"...one of the audio bargains of the decade."
"...a very exciting disc."
By Brian Higgins
"Bogar's Brahms is wholly enjoyable with stylish string playing and crisp woodwind solos from the Budapest orchestra. These lively performances, full of charm and good humour, should brighten the dullest day."
Johannes Brahms (1822 - 1897)
Johannes Brahms was born in Hamburg in North Germany, and his ambition for
many years was to return to his native city to occupy some substantial position
in the musical establishment. His childhood had been spent in poverty, and it
was natural that he should wish to be seen to have succeeded in the eyes of his
fellow-citizens. This particular triumph, however, eluded him, and he was
finally to settle in Vienna, where he became a dominant figure in the musical
life of the imperial capital.
Hamburg is, of course, a world away from Hungary, which formed part of the
Hapsburg Empire. In 1850, however, Brahms met the Hungarian violinist Remenyi,
who introduced him to something to the music of Hungary, and particularly to the
music of the Hungarian gypsies. Brahms and Remenyi toured together in 1853, but
the latter, with an eye to his career, was disappointed by the reaction of
Brahms to the great Hungarian composer Liszt, who held court in Weimar and had
been gracious enough to receive them. The two parted company, and Brahms took
advantage of an invitation from another Hungarian violinist, Joseph Joachim, who
was to continue as a friend and mentor for years.
Brahms continued to show an interest in Hungarian gypsy music, failing, by
and large, to distinguish the gypsy from the Magyar. His fascination was shown
as early as 1853, the year of his meeting with Robert Schumann, when he wrote a
set of variations on a Hungarian theme. His Violin Concerto has a Hungarian
gypsy turn to its Finale, and he was to set, in 1887, a series of translations
from Hungarian in his Gypsy Songs for vocal quartet and piano. The most popular
of all works that he wrote in Hungarian style, however, were the Hungarian
Dances, composed originally for piano duet, and appearing in four sets, the
first two issued in 1869 and the second pair in 1880.
The Hungarian Dances were to win immediate popularity. The piano duet was, in
any case, a form much in use, providing a useful element in domestic
entertainment, as well as serving a more professional purpose as a means of
performing transcribed orchestra works. The Hungarian Dances were subject to the
contrary process, and Brahms himself orchestrated the first, third and tenth in
1885. The Czech composer Antonin Dvořák,
to whom Brahms had given early encouragement, orchestrated the last five, and
did the same for his own piano duet Slavonic Dances. Other arrangements for
orchestra were made by the Russo-German composer Paul Juon, the Swedish
conductor Hallen, the bandmaster Parlow and others.
The dances themselves make use of gypsy melodies, although there are three
original compositions by Brahms, Nos. 11, 14 and 16. In general the later sets
issued in 1880 have about them more of Brahms than of Hungary, and, perhaps as a
consequence, were to prove slightly less popular. Within the prevailing idiom
the dances have considerable variety and marked rhythmic interest. It seems that
Wagner had the Hungarian Dances partly in his mind when he wrote with his usual
acerbity "I know famous composers that you can meet at concert masquerades,
one day in the guise of a ballad singer, the next in Handel's Hallelujah wig,
another time as a Jewish csardas player, and then again as genuine symphonists
dressed up as number ten". The general public, on the other hand, has
always taken kindly to the csardas, which, with the similar verbunkos
(recruiting dance) were the principal dance melodies that Brahms borrowed.
Budapest Symphony Orchestra
The Budapest Symphony Orchestra, part of the Hungarian Television and
Broadcasting Organisation, was established after the Second World War and under
its Principal Conductor Gyorgy Lehel has won some distinction. Through its
frequent broadcasts and its recordings it has become widely known, and its tours
have taken it to the countries of Eastern and Western Europe as well as to the
United States of America and Canada. The orchestra has worked with some of the
most distinguished conductors and soloists of our time.
Istvan Bogar was born in Budapest in 1937 and graduated from the Ferenc Liszt
Academyas a composer in 1963, after earlier instrumental studies. In 1968 he
became deputy editor-in-chief of Editio Musica Budapest and in 1972 he was
appointed to the position of dramaturge for the National Philharmonic. Since
1976 he has been musical secretary to the Hungarian State Orchestra, under Janos
Ferencsik, and since 1983 director of the music ensembles of the Hungarian
In addition to his varied work in musical administration, Bogar has won a
reputation as a composer and as a conductor, often of his own compositions. He
has appeared in. recent years with the Budapest Symphony Orchestra and the
Budapest Strauss Orchestra, touring Switzerland and France with successful
programmes devoted to the work of Johann Strauss. This has resulted in
invitations from Italy, Belgium and England for further tours.
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