SELLE, T.: Geistliche Concertlein (Ensemble Metamorfosi, Mandelartz) | ClassicsOnline Classical Music CD mp3 downloads | Free preview streaming

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ClassicsOnline Home » SELLE, T.: Geistliche Concertlein (Ensemble Metamorfosi, Mandelartz)

		Work/Track Title			Time		USD Price		MP3 Tracks
		SELLE, T.: Geistliche Concertlein (Ensemble Metamorfosi, Mandelartz)			1:15:46

Ich schlaffe

5:44

1.99

Was betrubstu dich

2:54

0.99

Monophonetica, hoc est, Allerhand lustige … Liedlein: Beso las manos

2:58

0.99

Concertuum trivocalium germanico-sacrorum pentas (excerpts)

Erhalt uns, Herr

3:02

0.99

Ach, mein hertzliebes Jesulein

4:18

0.99

Concertuum binis vocibus … decas (excerpts)

Magna Dei bonitas

6:34

1.99

Die Gute dess Herren

4:00

0.99

Monophonetica, hoc est, Allerhand lustige … Liedlein: Muisca du edle Kunst

2:28

0.99

Deliciae pastorum arcadiae, 10 Pastorellen, a 3 (excerpts)

Charittis edle Schaferin

3:22

0.99

Echo ich bitt

3:22

0.99

Amorum musicalium … decas I, a 3: Ach Anne fein

1:17

0.99

Deliciarum juvenilium decas harmonica-bivocalis: O Ungluck!

2:37

0.99

Concertuum latino-sacrorum: A Domino factum est

5:03

1.99

Monophonia harmonico-latina: Factum est praelium magnum

4:58

0.99

Hagio-deca-melydrion: Kompt her und shawet

3:50

0.99

Monophonetica, hoc est, Allerhand lustige … Liedlein: Frisch auff

1:58

0.99

Concertatio castalidum, a 3: Lieblich Musiciren

5:42

1.99

Monophonetica, hoc est, Allerhand lustige … Liedlein (excerpts)

Es stund auff gruner Heyde

5:17

1.99

Amarilli mein hochste Zier

6:22

1.99

Total Selected Album Items ( 0 ) Sub-Total Amount ( 0 )

Published Reviews

By Mark Sealey
Classical Net
07-May-2013

Here’s a splendid CD from Christophorus by the eight-strong Ensemble Metamorfosi…

The enunciation, expression and combination of voices with instruments are all similarly directed to maximum impact throughout the dozen and a half or so works on the CD. It’s emphatically not a recital or performance to illustrate what Selle was capable of; which is much. It’s an exercise in full and happy communication of the feelings of the composer—and his undoubted abilities to convey them in ways that still appeal to us today. Listen to the forward momentum, unflinching certainty and intensity of Kompt her und shawet [tr 15] (“Come here and see the works of the Lord…”). There’s a balanced earnestness on the part of

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