The Bande Montréal Baroque presents all six [Brandenburg] concertos, each with a different configuration. The concertos are numbered seven to 12 and are structurally modeled after the six originals. Horn, trumpet, oboe and recorders all make appearances. The first features prominent solo trumpet lines. The bouncy third, for strings, omits the middle movement just as the original does.
The most interesting of the batch may be Concerto No. 11 for oboe, harpsichord, strings and bass continuo, which features lively virtuosic turns for oboist Matthew Jennejohn and harpsichordist Erin Helyard.
The performances, conducted by Eric Milnes, are appropriately zesty and without a whiff of mustiness, as they should be. © 2012
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