This is an excellent, spirited two-CD set encompassing 14 works for various combinations, including those fine late sonatas for flute, oboe and clarinet, where Poulenc’s typical blend of languid lyricism, piquantly perfumed harmony and snook-cocking humour achieved a perfect synthesis.

The Trio for piano, oboe and bassoon of 1926 and the Sextet for piano and wind quintet of 1939 reveal Poulenc in full flood of inspiration, engaging the instruments in animated or muted discussion and in the process creating scripts that are immaculately structured and full of vitality. The London Conchord Ensemble manifestly relish what Poulenc has to offer, playing with panache, wit and discreet sensitivity in performances that are a constant joy. © 2012 Gramophone Read complete review on Gramophone