Decorum is the watchword here. Brightness and clarity too but above all a sense of the discipline of form and satisfaction in the expression of this. These are performances to savour again and again: they don’t try to knock you off your feet but quietly shepherd you along. © 2012 MusicWeb International

…Op 3 contains some of his most attractive and diverse orchestral music.

Concerto Copenhagen’s performances ooze abundantly with charm, wisdom and warmth. Passages for recorders, oboes and bassoon during the Largo of Concerto No 1 in B flat are played exquisitely. Courtly rhythms spring disarmingly in the Vivace of Concerto No 2 in B flat…Lars Ulrik Mortensen’s harpsichord continuo is imaginative in its support for the intimate dialogue between two cellos and Frank de Bruine’s beautifully judged oboe solo. The Minuet that concludes Concerto No 4 in F major is correctly an elegant dance…Mortensen’s fluent playing of the tricky quick organ solos in the concluding Allegro are articulated flawlessly. Such classy moments make this one of the most endearing artistic interpretations of Op 3 in recent years… © 2012 Gramophone Read complete review on Gramophone