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Classicsonline Home » Artists » » Lautenbacher, Susanne

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Susanne Lautenbacher

Susanne Lautenbacher studied violin with Karl Freund in Munich, then privately with Henryk Szeryng, and became strongly associated with the first-fruits of the post-World War II early music movement. This reputation hardly prepares one for the outstanding tonal expression, delivery and pacing of Lautenbacher’s twentieth-century repertoire. Weill’s Violin Concerto (1991) is well-enunciated and driven, the biting irony of Weill’s textures being conveyed in a spare, dry sound. The Hartmann performance here is equally effective in its quasi-Stravinskian Neo-Classical overtones.

In her 1972 Brahms Concerto Lautenbacher appears to follow Joachim’s edition and we hear influences from Szeryng and the Joachim–Auer line. Some nineteenth-century subtleties—particularly, vocal differentiation between passagework and melody—are lost, however.



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