Cantor Miller studied at Bobover yeshivot (talmudic academies), first
in Brooklyn and then in Israel, where he began to display his cantorial gifts
and came under the tutelage of the well-known cantor Shmuel Taube. He also benefited
from the influence of other accomplished hazzanim who had come from Europe
to Palestine - later Israel - as refugees; and it was there that his cantorial
art began to blossom. His first full position was as cantor of the Hillside
Jewish Center in Hillside, New Jersey, where his co coofficiating rabbi was
the twin brother of Shlomo Carlebach (later famous as the Singing Rabbi). He
subsequently held positions in the Bronx, Montreal, and Toronto, and since 1981
he has been cantor of Temple Beth El of Boro Park in Brooklyn (now known as
the Young Israel Beth-El of Boro Park), a pulpit previously served by such illustrious
cantors as Mordechai Hershman, Berele Chagy, and Moshe Koussevitzky.
Cantor Miller's exceptionally busy concert schedule includes a number of performances
each year at Israel's major venues, and at concerts, festivals, and conferences
throughout Europe as well as in Great Britain, Australia, and North America.
He has been a cantorial soloist at concerts in such disparate places as Johannesburg
and Cape Town, Mombasa, Alaska, and Brazil; and he officiates as a guest cantor
at synagogues throughout the world. He has sung with the Israel Philharmonic,
the Jerusalem Symphony, the Haifa Symphony, the Barcelona Symphony, and the
Budapest State Opera orchestras as well as with the English Players, and he
was part of the first group of cantors to perform in the Soviet-bloc countries
before the fall of the iron curtain. He made his Royal Festival Hall (London)
debut in 1990 in the premiere of Neil Levin's production Voice of Jewish
Russia, and he sang with the City of Oxford Symphony at the Barbican Centre
in 1998.
Cantor Miller has made more than a dozen recordings of Hassidic and other Hebrew
liturgical/cantorial and Yiddish music, in some of these preserving much of
the authentic Bobover musical tradition. He also is continually expanding the
Bobover repertoire with new tunes of his own in the same vein and through his
recordings of songs created in America by the third Bobover rebbe.