Jeno Jando (b1952)

Born in Pecs, a quiet town in southern Hungary, Jenő Jandó was taught piano by his mother before undertaking formal study of the instrument at the Liszt Academy, under the nurturing scrutiny of Katalin Nemes and Paul Kadosa. After graduation, Jandó had a series of successes in major international competitions, including the Cziffra and Ciani Piano Competitions, yet he himself believes his professional career really began when he took third prize at the Beethoven Piano Competition at the age of 18.

When Naxos was still in its infancy, the production planners wanted to release a disc of the better-known Beethoven piano sonatas. By chance, a Hungarian company working with Naxos at the time recommended Mr Jandó and sent in a demo tape. The complete Beethoven piano sonatas were then entrusted to Mr Jandó’s capable hands.

Similar to the ease with which he handles the various demanding styles of the solo piano repertoire, Jenő Jandó also excels when performing with other musicians. His sensitivity to chamber music can be heard in, for example, his recording with the Kodály Quartet of Schubert’s “Trout” Quintet or the Brahms and Schumann Piano Quintets as well as in the highly successful recording of Beethoven’s “Archduke” and “Ghost” Piano Trios.

As an accompanist, Jenő Jandó has worked closely with Takako Nishizaki in recordings of the Franck and Grieg violin sonatas and, most notably, in a four-volume set of the Mozart sonatas. His special style of accompaniment also shows itself in Kodály’s Sonata for Cello and Piano as well as in a recording of Dohnányi cello sonatas, in partnership with Maria Kliegel.

Explore Jenő Jandó’s extensive Naxos discography and become ever more convinced of the breadth, warmth and humanity of this modern recording phenomenon.

You can also view video clips of Jenő Jandó on YouTube.