Maria Ines Guimaraes

Her career as a musician is complemented by the publication of articles, books and scores as well as her post as professor at the Conservatoire of Antony, in the Paris region. Maria Inês has also brought out ten recordings as artist, composer and musicology: “Alma Brasileira” (1993, Vibrato Musique) which the critic form the newspaper “O Globo” in Rio de Janeiro hailed as one of the year’s best releases in Brazil; Alberto Nepomuceno – piano works (1994, Marco Polo); Henrique Oswald – piano works (1995, Marco Polo); “Fronteras latinas”  with Andrea Merenzon (1997, Irco-Cosentino/Rádio Clásica); Villa-Lobos – “Saudades das Selvas Brasileiras” (2000, Pavane); “Danses et oiseaux du Brésil” featuring her own compositions (2003, Éditions Billaudot), which accompanied the two pedagogical collections of the same name also composed by Maria Inês; Axuí – “Ilustrando o choro” (2004) with original arrangements of Brazilian pieces, choros, and compositions by Maria Inês. Contrepoint: Villa-Lobos, Kurtág (2006, Integral classic). Primavera: (december 2009, Integral classic). In 2000, La nuit transfigurée released a recording of Lobo de Mesquita’s 1782 work “Dominica in Palmis” for which she acted as musicological supervisor. Maria Inês Guimarães also works to promote Brazilian music through the activities of the Euro-Brazilian Centre (Cebramusik) and the Choro Club of Paris.

For more information, please visit these websites:
Maria Inês Guimarães Pianist, Musicologist, Composer, Teacher
www.myspace.com/mariainesguimaraes
inesguimaraes.club.fr

Présidente du Club du choro de Paris
clubduchorodeparis.free.fr

Présidente du Cebramusik
www.myspace.com/cebramusikfrance
www.myspace.com/triowgm
www.myspace.com/lesbobines