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Classicsonline Home » Artists » » Frusoni, Maurizio

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Maurizio Frusoni


Simply put, Aaron Copland is one of the most important composers of the twentieth century. He codified a concert music sound that was distinctly "American," and single-handedly created a generous path for composers in his native land, bringing to "the new world" what was mostly, up until that point, an imported and exclusively European art form. He lived a long and productive life, one that spanned almost the entire century, and worked not only as a composer, but as a conductor, pianist, teacher, author, concert promoter and generous friend to music.

His parents immigrated from Poland and Lithuania to New York City in their adolescence; Aaron was their fifth child, born in 1900. He was gifted at the piano, studying with Victor Wittgenstein and Clarence Adler. He took lessons in harmony and counterpoint with Goldmark, an old-fashioned teacher who was dedicated to Beethoven and Fux, and against whom Copland rebelled, as children do, becoming enamoured of Scriabin, Debussy and Ives (whom Goldmark called "dangerous"). Eventually, when he was twenty, the young composer-to-be set sail for Paris and the tutelage of Nadia Boulanger.

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Discography

Castelnuovo-Tedesco: World Premiere and two Piano Concertos – 20% off companion titles

 

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