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Marco Fornaciari

As with many composers born in the 17th century, we know little of the personal life of Louis-Nicolas Clerambault, though it is recorded that his father played in that famous group of violins used by the King of France. We can assume that he taught his son in his early years, though we find him later studying organ with Andre Raison and composition with Jean-Baptist Moreau. Louis-Nicolas would also claim royal patronage, but such a claim was based on the fact that he organised concerts attended by Louis XIV. His fame was to come from the many prestigious appointments he enjoyed as an organist, including the post at St Suplice, which made him the best known exponent of the instrument in France. Like Vivaldi he was also to teach at a girl's orphanage, where he used his position to experiment with composition, using the talents of his pupils to perform his works. It cannot be denied that as a composer he broke no new ground, but was happy to produce music that conformed to the requirements of the day, which eventually took him into the fashionable Italian style of writing. It was in the field of cantatas that he eventually became most famous as a composer, and here he fused together the French and Italian styles. Yet he was never able to rid himself of that severe approach he gained from Raison. His eventual catalogue was not huge by the standards of the day, and included 25 cantatas, motets, and much solo instrumental music of which Livre d'orgue is considered his masterpiece. He died in Paris in 1704, two of his three surviving children following in their




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